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The young and patriotic student Demachy joins the French army in to defend his country. But he and his comrades soon experience the terrifying, endless trench war in Champagne, where more and more wooden crosses have to be erected for this cannon fodder. To modern eyes its approach is familiar. We have seen this before � to follow a band of brothers through the trenches and gun-fire. It has become the standard mode of entry into the battlefield. And because of this Les Croix De Bois loses some of the freshness it must have once possessed.
But it remains a deeply moving and important war movie. The film has two distinct halves. The first sees the arrival of the patriotic Demarchy Pierre Blanchar into the companionship�. Blistering in its total abandonment of the typical romanticizing of war. One of the rare war films that doesn't glorify war in any way.
Like many war films of the era, this is more episodic than propulsive, using individual setpieces to concatenate into a thesis about the utter folly of war. For example, during his first march, the protagonist wavers and stumbles. Another soldier takes his gun from him, to lighten the load, saying, "what's another gun? Or after the major battle that takes up about 30 minutes of screentime, a slow pan�.
Review by Mark M. There is not much of a narrative to the film. It is mostly a series of vignettes that focuses on a group of soldiers and their brutal existence in the trenches during the war. Wooden Crosses refers the markers placed on mass graves during the war since so many tens of thousands of soldiers were killed.
The wooden crosses in the film are used as a symbol of the utter futility of war. The are many memorable scenes in the movie starting�.
For an early talkie this is pretty incredible, Bernard essentially pioneered his own sound mixing through experimentation, recording the sounds of each different type of shell, mortar etc. A response to Lewis Milestone's tremendous and much more popular All Quiet on the Western Front, arguably the first film to make the act of making an ambitious sound feature seem effortless.
Wooden Crosses was two years after, letting technology catch up slightly, though the different country in which the film was made holds just as much influence in the film's differences in storytelling from Milestone's film. American anti-war efforts like the previously mentioned All Quiet on the Western Front, or even King Vidor's The Big Parade would introduce a propaganda-fueled attitude before turning it on its head with intense misery, boredom, tragedy, and violence, realities of war ignored by promoters of it.
Wooden Crosses doesn't stray into that territory,�. A patriotic new recruit joins a platoon of old hands and experiences the reality of life in the front line. I'm being as generic as possible here because the film really does fit in perfectly with war movies made decades afterwards with absolutely no real concessions to them.
If it's not exactly 'Come and See' in it's brutality it can certainly be placed alongside say Paths of Glory or The Steel Helmet or Platoon and match them for the coherence of it's message and the power of it's set pieces. I don't know enough about the period to suggest it was the very first film of it's type but it's definitely writing a lot of rules for the war film as we know it and indeed had it's action scenes re-used by American films of the 30s and manages to tell a human story that entertains as well as horrifies.
I have been watching movies, more or less seriously, for more than 50 years, but dipping into the fabulous DVD collection at Port Phillip Library can still throw up gems I have never heard of before. Raymond Bernard was born in Paris in into a literary family - his father was author and humorist Tristan Bernard and his older brother was the playwright Jean-Jacques Bernard.
This is the war film to end all war films. It is bleak and horrifying, and it does its job as an anti-war film so well that I'd like to see anyone wanting to get into the military not second guess themselves after watching it. Every body that drops has a profound weight to it, and with some of the best cross-fades in the history of cinema, its visual literacy is superb. Wooden Crosses is an episodic and harrowing look at the toils of war through the eyes of a small band of French soldiers who find themselves stuck in the muck of the trenches It's a fairly realistic portrayal of war, seeing as I actually worried about the condition of the actors that were caught up in Wooden Watch Not On The High Street Online the on-set explosions, and it's also unflinching in its portrayal.
There is no romanticism here - no swirling patriotism. There is only death and condemnation of the war makers. It may not have within itself the same amount of cathartic force as its movie-brother All Quiet on the Western Front possess.
Where they sleep knowing that bombs are dug right under them, struggle to get the least amount of water knowing that if they stick their heads out they risk dying instantly, and pray while injured, just asking to survive another day.
Pretty much what one might expect from an early 30s humanist anti-war epic, but it is set apart from some impressive immersive combat material. A realistic and effective anti-war film from the French director Raymond Bernard, this is early sound movie-making on a large scale, with perfectly pitched performances from the actors playing the men at battle set against Jules Kruger's beautiful cinematography.
There is nothing profound and grand here, just ordinary men set together in horrendous circumstances, yet still finding the time and inclination to continue the business of day-to-day living and engagement, so they drink and dance, and josh each other, before going out to become cannon fodder.
Demachy Pierre Blanchar is a young recruit to this band of brothers, and he is patriotic and idealistic. It's hard to make an anti-war film, whenwar looks so exciting. The best scenes are the battle scenes, who uses tracking shots, hand held and are very convincing. The rest of the film is rather awkward, you also never get to know nor are be able to distinguish the men who die.
The Germans looks ordinary, just men on the other side and Wooden Crosses 1932 Watch Online Edition it was interesting to see that "All quit on the western front" had inspired the cemetary Wooden Crosses 1932 Watch Online Mode scene. Wooden Crosses is a darkly realist depiction of a unit of French soldiers fighting in World War 1, made in a time when that war was still called The Great War and performed by a cast consisting of veterans of the real war.
This is an anti-war film in the tradition of other films like Rossellini's Paisan, and in terms of the scope of the plot you could compare it in modern terms to something like or Dunkirk - we know little about the men involved. None of them are war heroes or generals and in fact we�. Les Croix de Bois hyper-realizes the horrific industrial landscape of the Great War. Meandering pans guide the men through trenches; flickers of burning phosphorus bring a harsh light to the desolation.
Most generally, the horrors of war are treated with documentary-like neutrality: instead of crafting some message on the scorched earth, Raymond Bernard opts to simply tell a story of the trenches, to craft the world, the sadness and the laughter, that brought soldiers together. While the film is hyper realistic, the script never meanders. It is still a narrative feature, with characters cracking under the stress, with brilliant parallel story moments, and persistent themes.
Its an incredible film. Full of awful silences and breakaways from the sort of machismo that we see in most war films. I think becuse its shot in so many wides - that I never got a grip on the peoples faces, the lighting is so dark too.
An brutal and uncompromising look at World War 1 told from the perspective of the French. This film's scenes of combat amazed me with its sound design and authenticity. This should be in the conversation for not only the best World War 1 film but also one of the greatest war films of all time.
This film does not only hold back on the brutal trench combat but also there are a few instances of bad language which was unheard of in the film industry in America which the French film industry allowed.
Also the film used veterans of World War 1 as extras and also as cast members to keep the authentic look intact. Check this one out if you want to watch a World War 1 film unlike any other. He and his comrades soon experience the terrifying, endless trench war in Champagne province , where more and more wooden crosses have to be erected for this cannon fodder.
Less sentimental than All Quiet, and surprisingly little known outside France, Les Croix de bois Wooden Crosses , now revived in a restored centennial version, is one of the�. In spite of being almost 90 years old there is plenty to this movie that holds up in spite of the plethora of other war movies that have come in its wake.
First of all, it has at least two of the great death scenes in movies, one which captures the enormous hopeless insanity of the entire enterprise, and one which takes the odd step of taking place right within the maelstrom of battle. Most intimate, moving death scenes wait till the fighting has stopped to play out their major moment of human drama, but Bernard here has the inspired sense to place said scene right in the middle of the cacophony of noise.
It's a small thing, but again,�. Really interesting depiction of the horrors of war and the pointless nature of WW1. With Wooden Crosses, the director and writer don't aim to explore the reasons for which the war is being fought, nor do they concern themselves with what happens high up in the chain of command. We don't get elaborate planning of military manoeuvres or heated arguments on what the right course of action is. We simply follow a group of soldiers as they go where their orders take them and try not to die.
The director, writer and actors are all veterans of the war, and the experience portrayed here is made for authenticity above all else.
Still carries great emotional weight 90 years on, making its audience sit through the experiences with the men. Has the immediacy and impact of a stories still in living memory. And for being as old as it is, the gunshots and explosions look and sound great. The best example of this was when it was just absolute warfare for 10 whole minutes. Nothing but gunfire and grenadiers throwing lobs.
Ten Days Ten days Hershey 20, films 3, Edit. Gordon 1, films 10, Edit. Just a list of some pretty cool movie posters on the LB database. I haven't seen most of these movies. Jayce Fryman 18, films 3, Edit. Nate 2, films 5, Edit. Everything on the brand new Criterion Channel Streaming service. Dom 16, films 1, 93 Edit. MundoF 16, films 1, 29 Edit. David Blakeslee 4, films 59 Edit. Lovaloo 1, films 1, 18 Edit. Masud Siraji films 57 4 Edit. Michael Hutchins 1, films 14 Edit. Jack Christal-Gattanella 3, films 18 Edit.
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