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For those who missed it, I have a new Radical Face single in every issue. These are not part of my new album. I want to clarify that. These are things I just make for fun, or one-offs, or experiments.

And since I have really gotten back into painting specifically learning how to paint digitally , I have been coming up with a painting for each single and using the time-lapse of it as the music video. And here is the video for what came out on Tuesday, in issue number two. Those will be more immediate, and more reliable than social media. I will be using social media less and less, I think. I never did much of it in the first place, but I decided at the beginning of the year that I would try posting more on things like Instagram.

They are visual platforms. Why would someone sign on to something that is about sharing images to find out about music? And now with all these metrics that these companies give you, my suspicions have been confirmed. The click-through rate from these platforms is very low, almost non-existent. I will be much happier to just post work where it really lives, like streaming services, and not bother anyone beyond a monthly email that collects everything relevant into one letter.

Fingers crossed I can get to where that is enough. But speaking of visuals, I have been drawing and painting so much in my free time these days that I have started posting it.

It is not lost on me how much more these platforms make sense when what you do is visual. So if you like the visual art I do and want to see me spam around five images week, you can follow that. I will update the artwork section here on my website a couple times a month, too. Beyond that, I just want to say that I am really happy with the progress and sound of my new record. Having all this time and space and to really get it exactly how I want it to sound and feel has been wonderful. And I hear it in my results.

I do my best work when I can really devote a lot of my mind to a project. And the singles give me a good excuse to just have fun and be more in the moment. It's been an odd month. On one hand, I have been more productive than I've been in a very long time � more than any time in the last ten years � and I am discovering tons of new and exciting processes along the way.

I have always assumed I would live out my life in America. While I have genuinely enjoyed traveling and seeing other cultures, I was always happy to return here.

Sure, it's messy and strange and I've long held a laundry list of things I wished were different. But despite its flaws, it has always felt like the place that harbored the most potential and opportunity for me.

I'm not so sure I feel that way anymore. I'm processing disappointment at a bone-deep level, and I honestly can't say how I will feel after digesting all of this.

Josh and I have been having lengthy conversations about how much of a future we have here. At this point, neither of us can say. I realize that most people would assume I am speaking politically here, but I'm not. I tend to view things more culturally than politically. Living around people I disagree with is not very difficult, but living in a culture that I find morally bankrupt is a completely different beast.

I have had to walk away from things in my life once I saw, and really understood, that there was something fundamentally wrong with them. It has happened in both my work and my personal life at different junctures.

But I never thought I might have to walk away from my country for the same reason. While not the heaviest question I've ever asked myself, this is definitely one of the biggest in scope.

I guess we will see. The back half of this year, and how we continue to handle our concepts of society, morality, community and humanity, will be very telling. I am watching closely. I am not terribly optimistic.

But we are in an inherently contemplative time, in almost all regards. Nothing makes you contemplate the future more than staring down the barrel an uncertain one. Naturally, I have also been rethinking what my work is going to look like going forward.

The world I have worked in for the past 15 years is pretty unrecognizable right now, and like most everything else, large aspects of it have ground to a halt. For the first time since I began putting out records, I have been totally rethinking how I want to continue. Because if I am honest about it, I have felt limited these past 7 or 8 years. There are a number of reasons for this, but here is a big one: When the music world moved away from personal websites into social media, I had to change the way I communicated.

For me personally, it was not for the better. Websites, by the nature of how they're organized, allow for flexibility. You design a place that people can visit, if they are so inclined, and you can fill it with whatever you choose.

When I first started making my music available to strangers, back in , everything I was doing was collected in one place. This included all my music projects Radical Face, Electric President, Patients, and any side projects , as well as artwork and short stories. And this really suited me. I don't exclusively perceive myself as a musician. I most see myself as a songwriter, if forced to choose, but even that feels narrow if I look at how I spend my time.

I rotate between songwriting, visual art and prose all the time, and I used to feel free to share any of it, and show how the three were influencing each other. But once social media became the dominant medium, I really had to pick. Building multiple profiles with multiple purposes is a very tall order, especially for someone like me, who has no particular inclination to share my personal life to keep a steady stream of posts up.

And since Radical Face was my most popular project and where the bulk of my income stemmed from, it quickly became the sole focus.

At least publicly. I still made the other things � I just stopped sharing them. I have resented this change. I could write an obnoxious rant about all the reasons why, but it's most simply summed up as: social media my least favorite form of communication on the internet, both professionally and as a person.

It's too focused on crafting an image instead of content. I have to make myself use it. I get very little joy out of it. But then a pandemic comes along, the world stops spinning, and I find myself asking a different set of questions.

Instead of wondering how to work with something I don't enjoy to make it more bearable, I start wondering if there is another way altogether.

Instead of seeing most of my work as a dance between recording and touring cycles until I run out of steam, I start wondering how I really want to spend my time. And I start asking myself what I really believe in at this point in my life, and what I find exciting. After a lot of conversations with some people I'm close with, I started noticing that I have one common impulse in everything I do: I like to share.

I enjoy sharing my work, whether its music, writing or visual art. But I also love sharing all the art I find, that I am a fan of, that I'm inspired by.

Anytime something moves me or makes me think, I pass it along. When I read a book that makes me set it aside and just stare into space while I process some amazing moment in it, I want to give that experience to others. I love recommending food, or films, TV shows and documentaries � anything that makes the world a little bigger, that helps you realize there is more out there to experience.

Hidden Hollow is a monthly mailer that I'm going to send out the first Tuesday of every month � a re-branding of my mailing list, with a schedule. Inside it, I am going to include at least one new Radical Face song.

But just an isolated song with no larger context. It will not be a part of my next album. This will give me a chance to actually release all the recordings that I usually just leave on hard drives for years, and sometimes never release at all, but also to just have some fun with song-writing again.

I will also be sharing my new, more electronic project, Human Mother, and any writing or paintings I feel are relevant, or that I'm just proud of. I want it to go well beyond that. So I'm also including book recommendations, favorite quotes, music playlists based on themes, artists to check out, cool music videos and short films, etc.

I want it to be a completely free digital package full of goodies to spend some time on if you have it and you're inclined, both for myself and for all the things that have moved me or provoked some thought. But since I also love discussing art and getting recommendations in return, and email is not a very good format for that, I have also created a website that will serve as a forum and an archive.

I have attempted to run forums in the past, I know, but it was at a time when everyone moving Diy Jon Boat Floor Yellow away from them and I was under pressure to use social media. So I let them wither. Well, I think I can safely say that I know how I feel about all of this now, and I much prefer websites and forums to any alternatives. I will still post notices and work on Instagram and the like, but the meat of the content and discussion will hopefully live here now.

And from my conversations this past month, I don't think this is just me. Lots of people mentioned they missed discussing things with like-minded people, but specifically without the feeling of constant observation that social media creates.

And I agree. When we are being viewed by basically anyone and everyone, we behave differently. We are timid, or more argumentative, or just don't contribute at all to avoid the headache.

Speaking for myself, I much prefer screen names to real names online. I like being in places where the main form of communication isn't emojis and heart buttons that make everything into a bizarre popularity contest.

And I like places that feel a little selective when it comes to really sharing thoughts or personal Diy Jon Boat Floor Mat work, with a sense that everyone involved is acting in good faith.

So that is why I have kept the Hidden Hollow website password protected. It's not much of a hurdle, I know, but it's enough of one that you need to be just above a passing interest to go further.

So if this sounds interesting to you, and you'd like to sign up for the mailing list, here's a link to the e-mail widget. It will contain the web address and password, in case you are interested in the discussion and sharing forum:. As for the forum, I spent some time working out a better way to share, since sharing is the main focus. So it is organized based on the action you take instead of the medium.

I'd rather you think about whether you are sharing something you've found, or something you've made, rather than trying to categorize the result. If this is something that interests you, then feel free to sign up and share things. The first issue of the mailer won't come out for a few more weeks � August 4th, to be exact � but all the categories and explanations are already in place.

And you know? I honestly have no idea what any of this will do, but I've decided I'm perfectly fine with that. Just compiling this first issue of the mailer has been a blast, and I already have content for the following three. So even if this largely only interests me, I'm getting a lot of joy out of sharing all these things, and writing out all my feelings about them.

I started pretty young, and it has been a constant ever since. I've been thinking a lot about how fortunate I am to do so, and the infrastructure and resources around me that allow it. I spend parts of every single day absorbing what others have created, and with the internet, almost entirely ignoring the former limitations of space or time. I then get to take all of that input, combine it with my experiences and whatever fixations currently occupy my mind, tinker with it until I am satisfied, and then send it off into the ether like some tiny sail boat whose destinations I will never know.

It is my favorite thing in the world � with food, sex, games and good conversation waiting somewhere in the wings. The joy of creating is unmatched for me.

But it is a luxury. That I can have groceries delivered to me while in a pandemic, or even further � completely prepared food; that my environment is temperature controlled with a few button presses; that my clothing can be thrown into a machine that does the work for me in under an hour; that I can turn a lever for clean running water, at whatever temperature I choose, and wash up in minutes � all of this gives me time and space that I can fill with the unnecessary.

I get to constantly listen to what I feel and think because so many of my necessities are taken care of. It allows me the freedom of inventing anything I desire, and translating it into sound or graphite or words or ones and zeroes, further decorating life. Something notable I find from reading history is how modern society has given us so much space, comparatively.

Hell, even in modern times, reading stories about different parts of our world and all the various walks of life only highlights the abundance in my own. Many people have little in the way of time, even more so with brain space. Art takes a surprising amount of mental real estate. That real estate is a luxury. If you are thinking that I am merely waxing poetic about gratitude, well, yeah.

But it's something that has really struck me since going into quarantine. The pandemic has removed so many of my former spinning wheels that felt so necessary only a couple months ago. All the time that used to go to travel, to shopping, to commuting, to working on projects that didn't matter to me but may, one day, lead to ones that do � poof.

And while I miss some things, most of it I do not. And I find myself returning to a much earlier way of life, artistically speaking. I am interacting with art in a manner that I assumed was firmly caged in nostalgia. My relationship with art is my oldest and perhaps most intense one. It is what allowed me to travel, both figuratively and literally. As a child, art was a window into the larger world. I grew up on a dirt road in Florida, in a low-income neighborhood near the ocean a real estate anomaly that has since disappeared.

Through film, books, paintings, comics, video games and whatever else I could absorb, the world felt like a never-ending treasure hunt. Despite some of the inherent wrongness of my early environment, I saw other options, other ways of being. It didn't matter to me that most weren't even real. They felt real, and that was enough. And when I connected that I could become a participant, that I could make those things, too?

A door opened in my mind that has never closed again. I walk in and out of that door, between reality and potential, constantly. But art is also what allowed me to see the world. Traveling wasn't something I knew as a child. Things like family vacations or road trips were financially and logistically impossible. My first memory of leaving the city I was born in was around 11 years old, when I went on an end-of-the-year trip for 5th graders. We traveled to Virginia and Washington D.

After that, I traveled a bit more, mostly with friend's families who let me tag along, but rarely very far. Until touring began in my early twenties and my world was flung much wider. Seeing lots of other places and cultures really altered my world-view � more than I realized at the time, in hindsight. But coming from where I did, geographically and economically speaking, I doubt that would have ever happened were it not for art.

Creating things has always been a bridge to possibility for me, both in my mind and in my life. It is so entrenched at this point that I would not know how to perceive the world otherwise.

I would be a very different being without it. Not to sound melodramatic, but I am pretty sure that, if I had not connected with art the way I had, I would no longer be here at all. But what caught my mind while in the shower a few days ago, and why I am writing this, is because I am interacting with art in a way I, somewhere deep down, didn't think was possible anymore.

A side effect of so rarely leaving the house is that my time for creative work has effectively doubled. I am drawing and painting in a way I haven't since high school, and in a way I honestly believed was gone. I first started drawing pretty intensely around 7 years old, and I drew almost daily until I graduated high school.

For reasons I won't go into here that's a story for another time, as they say , I stopped. Sure, I would make visual art if there was a direct purpose, like an album cover or doodling on merch while on tour. And while I was thankful that all those years of studying and practicing gave me the tools to work in other visual mediums, like music videos, I otherwise didn't think of it anymore. And now I find myself drawing every day again. I am watching tutorials, learning digital art, and currently have 6 sketches waiting to be colored.

And I love it. It caught me off-guard how much I missed it, and how different from music it is. It's so much more instant , and I really appreciate that contrast right now.

It's refreshing, after typically spending many hours in front of microphones, which so much of I never keep or share. Even with music, this abundance of time has changed things.

I can set up mics with no other goal than exploring. There is a really big learning curve to becoming successful at something that was once a hobby, to dealing with external pressures like production deadlines and tours and meetings. I've spent years just learning to build my own label and all the legal and practical components that go into that.

All of those factors take away time from the core act of creating music, and if you are not careful, they will destroy it.

And while I have always been a DIY artist and have pursued so much of this in the name of artistic freedom, one change that I didn't quite perceive, because it was such a gradual one, was how the limited time creates a need for efficiency, and in turn how that need for efficiency alters the process.

I traded a lot of whim for focus, to make sure I could finish the projects on time. And while some of acquiring that discipline was a good thing, there's a balance to all things. I feel like I am resetting that scale. These days, going into the garage to just see what happens when I start recording, as opposed to going in to specifically finish a particular song, is a total joy.

Some days bear no fruit, and others make for a strange meal I probably wouldn't order again, but the freedom of just seeing where it all goes is something I genuinely missed. I am glad I can call upon that focus I've learned when I need it, but right now I'm even happier that I can ignore it. So I feel grateful.

I am spending so much of everyday just making things. Hell, that I have had this current afternoon to sit with a mug of tea and just type these thoughts up is such a luxury. While the existential dread of a roaming virus is definitely there, and living in such a political and economic state of uncertainty demands its toll, my newly vibrant relationship with art shines a lot brighter at the moment. It may only be for a moment, but hey, I'll take it.

And I will gladly take a step back and be thankful for the circumstances that allow it to exist at all. So I have been spent the last couple weeks studying how to better produce videos at home. Like most things, once you get into the details, it quickly becomes a rabbit hole.

But I like rabbit holes. This has been no different. I've been having fun. After my last post, I put together a list of songs to make acoustic videos for, based on what people have requested through social media, then I jumped on one immediately � Small Hands. For the recording, I just used a stereo pair of small diaphragm condensers in XY about 3 feet away for those who like to know the technical , and filmed it with the video mode on my point-and-shoot camera.

But when I sat down to edit the footage, the deficiency of the camera really jumped out. It can only shoot in 30p, has trouble holding focus in low-light, and I couldn't tell how blurry the footage was from the LCD on the back. I think I would have done better using my phone, in hindsight.

So I intentionally downgraded it further I often subscribe to that practice � if it doesn't look great, might as well make it look even worse and run with it , shot some b-roll as best I could, and cobbled together an edit.

Here's the result:. I was fine with the performance, but I wasn't very happy with the image quality. I don't mind things being lo-fi � my tastes lean that way more than they don't � but Diy Jon Boat Casting Deck List I like it to be a choice.

So I decided to take some of my tour income and invest in a better camera. Something that could shoot 4k, handle low-light, and would also work for photos, since I will also be doing my own head shots and press photos for the foreseeable future.

And honestly? This is something I have been itching to do for a long time. I make all my music at home, but video is something I have always had to hire out for.

Both for the equipment, but also for the knowledge. I usually edit all of my music videos, so I'm comfortable with the software, but the camera itself is something I don't know much about.

And my attempts at getting into photography never lasted more than a month, mostly because of time. But these days, I am swimming in time, and I like to be busy.

So I am digging in. I've been reading all about lenses, lighting, best practices, color-grading, and all that fun stuff. And since I learn best with applied practice, I am giving myself certain goals with each video.

I really want to use this strange time as a time to push myself, and to grow as an artist beyond what I already know. I've been calling it pandemic home school. I haven't played that song in a really long time. I honestly avoid it. All the long notes at my break in the loud section are a gamble for touring. If I am having an off day vocally, or even just a little phlegm that particular evening, I will butcher it.

But I like playing it when I can, and it's a song that I have always been happy with. I remember wanting to write something about when you first realize you aren't a child anymore, but not finding a satisfying delivery at first. Then I finally just jotted down all the things I no longer believed in, and I finished the song 20 minutes later.

But as another challenge to go with this video, I decided to illustrate a lot of the lines. Visual art is what first got me into art at all. I drew all the time as a kid, well into high school, and I wanted to be an illustrator. While I still doodle here and there, especially on tour, this is the first undertaking in a while that had me really drawing.

As in, sketching things out first, then redrawing them once I found something I liked. I spent a week drawing for this, about 8 hours a day. And it was really nice. There is something lovely about putting on a record and drawing all day. I can't remember the last time I did it with any freequency. I have ordered a bunch of micron pens again, and I am going to do a few more videos with artwork, I think. Here are photos of all the drawings, if you'd like to see them in better detail:. And if you like this alternate version of the song, I am going to film a tutorial on how to play it this way while it is still fresh.

And luckily, that is a lot less work. I can have it up shortly. Beyond these acoustic videos and tutorials still very open to suggestions, by the way , I have some other projects in the pipeline.

But I would like to start writing blog posts more more frequently, so I will keep these more at one subject at a time. We are past our 14 days at home now. All is well. Everything is strange. The funny thing about stories is that the ones most worth telling are usually shit to live through. Good stories thrive on uncertainty. Finding myself in a spot where I genuinely have no idea what's going on or what will happen has become my biggest tell that I am living one.

But what's even more wild is that everyone is living this one, at the exact same time. It's a far darker story for those that are sick, or those that are helping them. I am just at home, a little lost and vaguely anxious. I consider myself lucky. I've been avoiding most communication since I got home.

I've noticed that when things get serious, I am not a person that reaches out very much. I do a quick check to see if anyone directly needs me, then I like to keep to myself and quietly watch.

So I have been strictly limiting the news I take in and the amount I interact with anything outside my home. And as always, once I get a better picture of things, I start to thaw and my mindset opens outward again.

I'm not sure why I do this. Probably a better question for my therapist. As I felt settled late last week, I spent a lot of the weekend wondering what to do with myself. A common question for damn near everyone, I know. Work worldwide is changing drastically or drying up completely. Leadership is hard to find in a lot of places. Even basic direction is a tall order, much less solutions. But I am not nearly as affected as most. I have worked for myself for over ten years.

Everything I make, I make myself, in my own house. Sure, I don't know what I will do with these things I make, but that's not a new question either. I never really know, even when the world is operating normally.

But I found myself poring over a different question this weekend �. Since I have more stability in all of this than lots of people, what can I do to help? At first, that question really just drew blanks and a feeling of impotence.

But as I talked it over more with my partner and manager, ideas started showing up. While I am still not sure how to help people on the front lines of all this I am getting some ideas for that, too, though , I do have the ability to make things.

And the bulk of us are stuck at home and trying to find ways to cope with anxiety. But instead of solely returning to making an album, I want to get back to some things that can give people something to do.

Not always so passive as just listening. So first on that list is filming tutorials. I have done these before, but I want to take the concept a step further. In the past I would just teach the chords and patterns and leave it at that.

But now I'd like to assist in the application by making a new mix of the song, muting the part that I'm teaching in the video, so you can play along with the actual recording. So if I show you the guitar part which will be the most common , I will upload a version of the song that has the guitar muted.

Then you can fill it in yourself after you learn how to play it. I could also upload version that remove the vocals, so you could record your own vocal takes, or even improvise new melodies, if that's of any interest.

The second idea is to get back to filming little live, bedroom versions of songs. Kind of like this one:. So if there are any songs you would like to hear a small acoustic version of, or a song you would like a tutorial on how to play, please leave a comment down below. You could also email me, but I am really behind on emails. I honestly stopped looking at them when I got home. I am only just digging into my inbox as of yesterday. Comments will be easier at the moment. Lastly, if you have any questions about record or mixing, feel free to ask me.

I would like to continue that series on how to record at home and go into more detail. The first I made was here:. This will be an ongoing thing. I'll keep trying to think of ways to help, but I am also open to suggestions. I can only work on an album so many hours a day, and I already had a solid week of Animal Crossing and Celeste to get some couch time out of my system.

I am all ears here. I hope everyone is home, healthy and sane. And for those of you working essential jobs during all of this, thank you.

So we are already in the middle of February somehow. I remember hearing adults talk about how disconcerting the passing of time could be. As a kid that always struck me as odd, but now I find myself noting it with a sense of alarm. And so the wheel turns. I've been home from tour for a little over a week now. The time off from the road has been nice.

I've had so many ideas for this next record that I've spent every day back in the studio. But I have to say, this last tour was really different.

I spent a lot of time rethinking what tour is and how to approach it, and it paid off. I was still physically tired, but that's just the reality of sleeping in a different bed every night and spending the majority of each day in the back of a van. But I didn't feel emotionally beat down this time. The fact that I jumped straight into the studio is proof of that. In the past, I wanted nothing to do with music at all for at least a week or two, and I didn't much want to see anyone.

I would just insulate myself and do the bare minimum of work until my give-a-shit returned. But this time I was back to working on the new album on day one. A major change happened on this most recent round of touring or in the middle of the Euro tour late last year, to be more precise � I finally found a way to look at performing that makes sense to me. And that was to stop thinking of it as performing. That is something I know how to do. Whereas the idea of performing always felt alien to me � something I am not built for.

The word performing implies a lot. It makes me think of spotlights and displays of absolute mastery. But I find spotlights uncomfortable, and I am not a master of anything I do on a stage. I can play guitar and sing well enough, but I regularly interface with people who are far more proficient at both. I think of myself as a songwriter, first and foremost, and I got into music because I wanted to make records.

Especially with Radical Face. I never intended to perform the material from this project at all. The songs all have so many layers, the material can be uncomfortably personal and confessional, and I mostly work alone.

I have always thought of it as music for headphones, or sitting in a room by yourself. Or if you are like me, putting on a record, laying on the floor and staring at the ceiling.

I have records that I love to listen to alone, but would feel odd putting on around a group of people. And then there is music that I really enjoy in a group, or in a car, but I rarely put on by myself, or have a desire to hear in headphones. And when I think of what I do under the Radical Face tag, most of it feels solitary to me.

Nothing about that mood lends itself to the idea of performing, and I have often felt a disconnect with playing the songs live because of that. But when I stopped thinking of it as performance, and instead pictured a show as sharing stories and conversation with a group of people, it suddenly made sense to me again.

And perhaps more importantly, I felt I could just show up as myself, as a narrator and steward instead of a performer, and there was no need to be anything in particular. I'm not clever enough to assume a persona and be something I am not, so this is all a lot of relief. I realize this is all internal and most people would likely never notice the difference. But expending energy with a sense of purpose changes it completely, and something in me really relaxed into it.

It also never ceases to amaze me how we organize ourselves with language. Just changing the words I use, in my own head, made such a noticeable difference. Brains are strange. So we head out for another three weeks of shows in about 10 days, so if you are on the east coast of the US or Canada, and you'd like hang out and hear some songs, I'd be happy to have you. And in the interim, I will just be tracking away.

I'm really thrilled to be making a new record again. I prefer records to EPs and short form work in every way. I was fine doing EPs as a way to keep busy while moving around and trying to figure out what to do with my life, but now that I am settled and can evaluate from a place of stability, there is no comparison. And I am making something new for me, which is always a great feeling. I'm itchy to get into all the details, but I want to wait until my next post for that.

But hey, having to force some patience is the clearest sign that you're excited, right? I also forgot to post about this here, but there is a song that fell out of my recent recording sessions. I knew pretty quickly into the recording that it was not going to fit the album, but rather than shelve it and move on like I normally do, I just went ahead and finished it. I've decided to do that this time around, since I am my own label and can release things anytime I want to.

I also have a new Human Mother track ready to put up once I finish the video for it, and we have been producing a lot for the label as well. So I will be dropping a lot of work this year! But I think this enough for one sitting. I will write again soon. Something about repeating numerology always summons a science-fiction narrator in my head. For today, I will talk about the forward stuff. First off, I have started a new project.

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Retrieved January 29, Retrieved April 22, Retrieved March 15, The Christian Beat. Retrieved June 6, Retrieved March 29, Retrieved March 26, Retrieved April 5, Retrieved May 20, Retrieved December 2, Herald Sun.

Retrieved January 23, Retrieved March 22, Evous in French. March 13, Retrieved May 19, E News. Blues Blast Magazine. Retrieved March 24, Retrieved February 27, Classic Rock. Retrieved April 4, Retrieved April 8, Retrieved March 16, The Middle Phinger. February 24, Celeb Secrets. Retrieved April 25, January 8, Retrieved January 11, April 6, Retrieved April 27, This Is RnB. March 15, Retrieved March 9, Retrieved February 19, Retrieved February 25, Retrieved April 9, Retrieved September 27, Retrieved November 26, Official Charts.

Retrieved March 11, The Guardian. Retrieved May 7, Retrieved May 10, Retrieved February 22, Music Feeds. Retrieved March 28, Fox News. April 8, Retrieved April 14, February 28, Retrieved April 12, Archived from the original on January 13, Retrieved April 15, Retrieved September 10, Retrieved August 18, Retrieved May 9, Retrieved December 26, Retrieved April 26, January 4, March 27, The Fader.

Retrieved May 12, Retrieved May 15, Retrieved May 26, Retrieved March 21, Retrieved May 25, Retrieved June 12, Retrieved May 23, March 8, Retrieved May 28, Belfast Telegraph. January 29, Retrieved April 10, Retrieved May 24, Retrieved June 1, No Depression. Retrieved July 4, Retrieved May 31, New Release Today. October 31, Retrieved November 4, The Sydney Morning Herald.

June 15, Retrieved June 16, Retrieved December 19, G1 in Portuguese. June 8, Retrieved October 28, Retrieved June 9, Retrieved March 8, Retrieved April 19, April 13, Retrieved April 23, Retrieved June 4, Retrieved May 3, Hush Hush Biz. Retrieved June 27, Retrieved November 16, Retrieved December 16, Retrieved June 18, June 19, Retrieved November 1, Retrieved July 7, Retrieved June 11, Retrieved May 14, April 1, Retrieved June 14, Retrieved July 3, Retrieved June 29, July 26, Retrieved February 24, Pop Crush.

Retrieved June 30, Retrieved May 6, KPop Herald. June 18, Triple M. April 20, Australian Broadcasting Corporation. September 5, Retrieved March 27, Retrieved July 17, Retrieved July 22, Tiger Beat. Retrieved June 24, Divine Magazine. May 15, ABC News Radio. April 27, May 30, June 4, Retrieved June 7, Glide Magazine.

Retrieved May 27, MTV News. Triple M Retrieved June 23, Hot New Hip Hop. Retrieved July 5, Retrieved April 3, June 29, Retrieved July 15, Retrieved December 8, Retrieved August 10, Arama Japan. July 25, Retrieved September 25, Retrieved June 20, Retrieved October 16, Retrieved August 21, Retrieved August 25, Retrieved August 16, Retrieved August 7, Retrieved August 9, Retrieved September 3, June 27, September 3, The Northern Daily Leader.

Retrieved September 13, Magnetic Magazine. With Guitars. July 2, Retrieved August 24, Retrieved September 29, July 31, Retrieved November 15, Retrieved August 31, June 22, Retrieved September 24, Retrieved September 6, Retrieved September 28, Blues Magazine. Retrieved August 4, AP News. Retrieved September 22, August 23, August 3, Retrieved October 1, September 19, Phoenix New Times.

Retrieved September 5, Retrieved June 10, Alternative Press. July 12, Metal Hammer. Retrieved October 18, The Irish Post. Retrieved October 11, August 22, Retrieved September 9, PopLine in Portuguese.

The Skinny. Retrieved October 12, September 15, Retrieved September 16, Retrieved July 9, Retrieved July 11, The Washington Post. August 24, Taste of Country. Retrieved January 4, July 13, The Spill Magazine. Retrieved October 29, Retrieved September 7, Retrieved October 19, The Line of Best Fit. EDM Identity. September 16, September 21, Rolling Stone Italia in Italian.

Retrieved August 30, Retrieved October 27, September 27, Retrieved October 20, Retrieved October 13, Retrieved October 3, Retrieved September 19, Retrieved October 30, Retrieved October 26, Retrieved October 21, Retrieved November 2, Retrieved February 7, Retrieved January 24, Metal Injection.

Retrieved March 18, Retrieved July 20, Jenesaipop in Spanish. Retrieved September 30, The Indie Source. Retrieved October 4, October 15, Retrieved April 28, Retrieved October 7, Retrieved November 9, Ultimate Classic Rock. Paak: Oxnard". BBC News. Retrieved November 17, October 3, TV Sorrisi e Canzoni in Italian. October 22, Retrieved November 18, Retrieved October 17, Retrieved October 15, The Music Network. No Future. No Sun ' ". September 10, Retrieved September 18, D drops sophomore album DiCaprio 2: Stream".

Dead Press. American Songwriter. NZ Herald. October 4, Retrieved January 21, Retrieved December 13, Your EDM. Vernon November 25, Retrieved November 29, Nash Country Daily. Retrieved December 23, The Source. December 4, Put on the "mouth of truth" to tell you that "perfect is not equal to all"! Elle in Chinese. Lists of albums by release date. Categories : albums related lists Lists of albums by release date. Namespaces Article Talk. Views Read View source View history.

Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. List of albums released. Punk rock , indie rock , power pop. Quote Unquote Records, Polyvinyl. Groove metal , melodic death metal , heavy metal , avant-garde metal. Black Rebel Motorcycle Club. Glam metal , hard rock , nu metal. Lava , Republic. Epic , Syco Music , Sony Music. Corrosion of Conformity. No Cross No Crown. Stoner rock , sludge metal , Southern metal.

Pop , indie pop. What Happens Next. Alternative rock , pop rock , pop punk. Hopeless , UNFD. Pounding the Pavement. Heavy metal , hard rock. Alternative , indie electronic , indie pop.

Pop rock , electropop. Island , DCD2. Folk , indie folk. Sweetzerland Manifesto. Hard rock , blues rock. Experimental hip hop , industrial hip hop , avant-garde , trap. Lost on the Road to Eternity. Metalcore , nu metal. Alternative rock , power pop. Indie pop , alternative dance , art pop. Beth Hart and Joe Bonamassa.

Black Coffee. Soul , blues. The Time Is Now. The Dangerous Summer. Knowing What You Know Now. Alternative rock , post-hardcore , math rock. Hip hop , trap. Quality Control , Motown , Capitol. Triple Crown , Big Scary Monsters. Pop punk , rock Diy Livewell For Jon Boat Shop , pop rock , pop , electropop , synth-pop. Alternative rock , pop rock , indie rock , electropop. Hard rock , electronic rock. Empire , 88 Rising. Warner Music Australia. Dashboard Confessional. Pop , alternative rock. Indie rock , new wave , dance-punk.

Synth-pop , psychedelic pop. Columbia , Legacy. Indie pop , indie rock , synth-pop. World Domination. Hard rock , heavy metal. Crown Stones , JPU. By the Way, I Forgive You. Twin Fantasy Face to Face. I Am Human. Eleven Seven. Dance , tropical house , EDM. Everyone Afraid to Be Forgotten. Synth-pop , dance-pop , electropop. Room Inside the World. Post-punk , art punk , punk rock.

Screamo , pop punk. Electronic , deep house , house. Indie folk , indie pop. You're Not Alone. RED , Sony Music. Everything Was Beautiful, and Nothing Hurt. Trip hop , electronica. Indie pop , psychedelic pop , bedroom pop , alternative dance. Memories Don't Die. Only Human. Art pop , art rock. Alternative rock , electronic rock , new wave , post-punk revival , indie rock.

Quality Control , Capitol , Motown. Year of the Tiger. You Are Someone Else. In Your Own Sweet Time. Seasons Change. Stone Temple Pilots.

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