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The far-reaching operation of designs can be found upon this difficultyA engulf homemade scissor duck boat blind jacket is a strongest built a single male vessel upon this world.

PVC length measurements in our blueprints allow for a 2. Question 6 months ago on Introduction. Question 1 year ago on Introduction. More by the author:. More About The Sticks Outfitter �. Did you make this project? Share it with us! I Made It! The best blind is the natural cover. I usual bring some burlap just to cover stuff that doesn't blend in as well and then cover the boat with cattails,grass, etc. A blind on a 12 foot boat might take up some space.

What ever you decide use the kiss theory as this will make It easier in the dark hours of the mornings. Bigfish, i agree with both of them, KISS and use natural cover. I built this little hide last friday night before opener in about an hour and when i got out to the spot in the morning i added a bunch of cattails.

Mines only one sided right now but the spots I plan to hunt right now that's all i need. All i did was make a basic frame out of 1x1's that clamps to the seats and had the burlap fastened at the top. When it's up the burlap goes down into the water and extends back far enough to cover most of the motor. When its it folded down you can move around in the boat and load it in the truck no problem. I have made a couple scissors style blinds and I like them a lot. I attached brackets to the side of the boat and then use pins to attach the frame to the brackets.

Four pins and the blind could be removed. I have small diameter rope on the top poles with a D type itring and another plain ring on the other side.

Pull the ropes together and attach to hold the blind up. I also added straps so the frame only comes up so far and stability. Just make sure the frame fits entirely inside the boat when collapsed. I also made the nets extra long to wrap around the front and back over the motor.

I have a hundred pics of various blinds I made one just last weekend as well. I figured what height I wanted to to be at and made support posts that could rest on the middle seat and used a folding chair pad to keep from scratching up the pretty duck boat; just used 3" straight pins to connect at the sissors on the front and back. The support posts help when you have to do it by yourself.

I connected the grass to the snow fence with zip ties. You may not have to use a pipe bender, but two of us got the blind done in around 3 hours and it was much easier than using fittings. I connected the blind to the boat using topper clamps which makes it quick to detach. On a side note, I used a thin plastic green snow fence which does shine a little, but you don't notice it under the grass.

Made my own as well- using just PVC Pipe. Very easy. Use the Metal Pipe Straps to connect these to your boat. Then, at the bottom of these PVC Holders, simply drill in a run-of-the-mill screw, which will act as a rest or stop for the holder which is the 1" PVC that you'll insert into them. Supports: Cut the 1" PVC into the lengths that will allow for the blind height that you're looking for. These will be inserted vertically into the 2" holders that you made and connected to your boat.

At the top of these 1" Supports, Glue your "T" PVC Connectors in order to just give a little extra support for your burlap, as well as giving yourself the option to bungee the burlap to the support on a windy day- the "T" gives something for the bungee to grab. Fastening: After you get the 1" PVC with 'T's inserted vertically into your bases, you'll want a way to make sure they can fasten in.

With the 1" PVC inside of the base, use a drill and horizontally drill a hole through both the base and the support. If you find yourself with a group of people who are all speaking a language unknown to you, just imagine them to be a group of your old friends. Everything is fine except they momentarily forgot how to speak English.

In spite of the fact you won't understand a word, your whole body still responds with congeniality and acceptance. I've used the Hello Old Friend technique while traveling in Europe. Sometimes my English-speaking friends who live there tell me their European colleagues say I am the friendliest American they've ever met. Yet, we'd never spoken a word between us! When you act as though you like someone, you start to really like them. When surveyed later, the results showed the volunteers wound up genuinely liking the subjects.

The unsuspecting subjects were also surveyed. These respondents expressed much higher respect and affection for the volunteers who pretended they liked them. What it boils down to is love begets love, like begets like, respect begets respect. Use the Hello Old Friend technique and you will soon have many new "old friends" who wind up genuinely liking you. You now have all the basics to come across to everyone you meet as a Somebody, a friendly Somebody.

But your job isn't over yet. In addition to being liked, you want to appear credible, intelligent, and sure of yourself. Each of the next three techniques accomplishes one of those goals. My friend Helen is a highly respected headhunter. She makes terrific hires for her clients and I once asked her the secret of her success. Helen replied, "Probably because I can almost always tell when an applicant is lying. Throughout the interview, the applicant had been sitting with her left leg crossed over her right.

Her hands were comfortably resting in her lap and she was looking directly at me. Without swerving her eyes from mine, she told me. I asked if she enjoyed her work. Still looking directly at me, she said, 'yes.

At one point, she put her hands up to Homemade Scissor Duck Boat Blind Wall her mouth. With her words she was telling me she felt her 'growth opportunities were limited at her previous firm. Nevertheless, it was enough, she said, that she wanted to pursue the subject further.

I asked her about her goals for the future. Again, the girl stopped fidgeting. She folded her hands in her lap as she told me how she'd always wanted to work in a small company in order to have hands-on experience with more than one project. I asked again if it was only the lack of growth opportunity that made her leave her previous position. Sure enough, once again, the woman shifted in her seat and momentarily broke eye contact. As she continued talking about her last job, she started rubbing her forearm.

The applicant had been fired because of a nasty disagreement with the marketing director for whom she worked. Human resources professionals who interview applicants and police officers who interrogate suspected criminals are trained to detect lies.

They know specifically what signals to look for. The rest of us, although not knowledgeable about specific clues to deceit, have a sixth sense when someone is not telling us the truth. Just recently a colleague of mine was considering hiring an inhouse booking agent. After interviewing one fellow she said to me, "I don't know. I don't really think he has the success he claims. And the funny thing is I can't tell why. He looked right at me.

He answered all my questions directly. There was just something that didn't seem right. They have a gut feeling about someone but they can't put their finger on it. Because of that, many large companies turn to the polygraph, or lie detector, a mechanical apparatus designed to detect if someone is lying.

Banks, drugstores, and grocery stores rely heavily on it for preemployment screening. Interestingly, the polygraph is not a lie detector at all! All the machine can do is detect fluctuations in our autonomic nervous systemchanges in breathing patterns, sweating, flushing, heart rate, blood pressure, and other signs of emotional arousal. So is it accurate? Well, yes, often it is.

Because when the average person tells a lie, he or she is emotionally aroused and bodily changes do take place. When that happens, the individual might fidget.

Experienced or trained liars, however, can fool the polygraph. Beware of the Appearance of Lying-Even When You're Telling the TruthProblems arise for us when we are not lying but are feeling emotional or intimidated by the person with whom we are talking. A young man telling an attractive woman about his business success might shift his weight. A woman talking about her company's track record to an important client could rub her neck.

More problems arise out of the atmosphere. A businessman who doesn't feel nervous at all could loosen his collar because the room is hot.

A politician giving a speech outdoors could blink excessively because the air is dusty. Even though erroneous, these fidgety movements give the listeners the sense something just isn't right or a gut feeling that the speaker is lying. Professional communicators, alert to this hazard, consciously squelch any signs anyone could mistake for shiftiness. They fix a constant gaze on the listener. They never put their hands on their faces.

They don't massage their arm when it tingles or rub their nose when it itches. They don't loosen their collar when it's hot or blink because it's sandy. They don't wipe away tiny perspiration beads in public or shield their eyes from the sun. They suffer because they know fidgeting undermines credibility. Political pundits speculate Nixon's lack of makeup, his fidgeting, and mopping his brow on camera lost him the election.

If you want to come across as an entirely credible Somebody, try to squelch all extraneous movement when your communication counts. I call the technique "Limit the Fidget. Hans was considered the most intelligent horse in history, and he used the technique I'm about to suggest. Do not fidget, twitch, wiggle, squirm, or scratch. And above all, keep your paws away from your puss. Hand motions near your face and all fidgeting can give your listener the gut feeling you're fibbing. Hans, a very clever horse, inspires this next technique.

Hans was owned by Herr von Osten, a Berliner, who had trained Hans to do simple arithmetic by tapping his right front hoof. So prodigious was Hans's ability that the horse's fame quickly spread throughout Europe in the early s. He became known as Clever Hans, the counting horse.

Herr von Osten taught Hans to do more than just add. Soon the horse could subtract and divide. In time, Clever Hans even mastered the multiplication tables. The horse became quite a phenomenon. Without his owner uttering a single word, Hans could count out the size of his audience, tap the number wearing glasses, or respond to any counting question they asked him.

Finally, Hans achieved the ultimate ability that separates man from animal-language. Hans "learned" the alphabet. By tapping out hoof beats for each letter, he answered any question about anything humans had read in a newspaper or heard on the radio.

He could even answer common questions about history, geography, and human biology. Hans made headlines and was the main topic of discussion at dinner parties throughout Europe. Naturally they were skeptical, so they established an official commission to decide whether the horse was a case of clever trickery or equine genius.

Whatever their suspicions, it was obvious to all, Hans was a very smart horse. Compared to other horses, Hans was a Somebody. Cut to today. Why is it when you talk with certain individuals you just know they are smarter than other people-that they are a Somebody? Often they're not discussing highfalutin subjects or using two-dollar words.

Nevertheless, everybody knows. People say, "She's smart as Homemade Scissor Duck Boat Blind a whip," "He doesn't miss a trick," "She picks up on everything," "He's got the right stuff," "She's got horse sense. The day of the big test arrived. Everyone was convinced it must be a trick orchestrated by Herr von Osten, Hans's owner. It was standing room only in the auditorium filled with scientists, reporters, clairvoyants, psychics, and horse lovers who eagerly awaited the answer. The canny commission members were confident this was the day they would expose Hans as chicanery because they, too, had a trick up their sleeves.

They were going to bar von Osten from the hall and put his horse to the test all alone. When the crowd was assembled, they told von Osten he must leave the auditorium. The surprised owner departed, and Hans was stranded in an auditorium with a suspicious and anxious audience.

The confident commission leader asked Hans the first mathematical question. He tapped out the right answer! A second. He got it right! Then a third. Then the language questions followed. He got them all right! The commission was befuddled.

The critics were silenced. However, the public wasn't. With a great outcry, they insisted on a new commission. The world waited while, once again, the authorities gathered scientists, professors, veterinarians, cavalry officers, and reporters from around the world. Only after this second commission put Hans to the test did the truth about the clever horse come out.

Commission number two started the enquiry perfunctorily with a simple addition problem. This time, however, instead of asking the question out loud for all to hear, one researcher whispered a number in Hans's ear, and a second researcher whispered another.

Everyone expected Hans to quickly tap out the sum. But Hans remained dumb! The researchers revealed the truth to the waiting world. Can you guess what that was?

Here's a hint: when the audience or researcher knew the answer, Hans did, too. Now can you guess? People gave off very subtle body-language signals the moment Hans's hoof gave the right number of taps.

When Hans started tapping the answer to a question, the audience would show subtle signs of tension. Then, when Hans reached the right number, they responded by an expulsion of breath or slight relaxation of muscles. Von Osten had trained Hans to stop tapping at that point and therefore appear to give the right answer. Hans was using the technique I call "Hans's Horse Sense. Someone asks you to hit the mute button on the television so Homemade Scissor Duck Boat Blind Queen they can talk.

Because there's no sound now, you watch the TV action more carefully. You see performers smiling, scowling, smirking, squinting, and scores of other expressions. You don't miss a bit of the story because, just from their expressions, you can tell what they're thinking. Hans's Horse Sense is just that-watching people, seeing how they're reacting, and then making your moves accordingly. Even while you're talking, keep your eyes on your listeners and watch how they're responding to what you're saying.

Don't miss a trick. Are they smiling? Are they nodding? Are their palms up? They like what they're hearing. Are they frowning? Are they looking away? Are their knuckles clenched? Maybe they don't. Are they rubbing their necks? Are they stepping back? Are their feet pointing toward the door? Maybe they want to get away. You don't need a complete course in body language here. Already your life's experience has given you a good grounding in that. Most people know if their conversation partners step back or look away, they're not interested in what you're saying.

When they think you're a pain in the neck they rub theirs. When they feel superior to you, they steeple their hands. We'll explore more body-language specifics in Technique Eyeball Selling. For the moment, all you need to do is tune to the silent channel being broadcast by the speaker.

You now have eight techniques to help you come across as a confident, credible, and charismatic person who makes everyone he or she comes in contact with feel like a million. Let's explore one last technique in this section to put it all together and make sure you don't miss a beat. Hans's Horse SenseMake it a habit to get on a dual track while talking. Express yourself, but keep a keen eye on how your listener is reacting to what you're saying.

Then plan your moves accordingly. If a horse can do it, so can a human. People will say you pick up on everything. You never miss a trick. You've got horse sense. You've seen professional skiing on television? The athlete at the top of the piste, every muscle primed and poised, waiting for the gun to propel him to ultimate victory.

Look deeply into his eyes and you'll see he is having an out-of-body experience. In his mind's eye, the skier is swooshing down the slope, zapping back and forth between the poles, and sliding across the finish line in faster time than the world thought possible. The athlete is visualizing. All athletes do it: divers, runners, jumpers, javelin throwers, lugers, swimmers, skaters, acrobats. They visualize their magic before performing it. They see their own bodies bending, twisting, flipping, or flying through the air.

They hear the sound of the wind, the splash in the water, the whirr of the javelin, the thud of its landing. They smell the grass, the cement, the pool, the dust. Before they move a muscle, professional athletes watch the whole movie, which, of course, ends in their own victory. Sports psychologists tell us visualization is not just for toplevel competitive athletes.

Studies show mental rehearsal helps weekend athletes sharpen their golf, their tennis, their running, whatever their favorite activity. Experts agree if you see the pictures, hear the sounds, and feel the movements of your body in your mind before you do the activity, the effect is powerful.

Absolutely not! My friend Richard runs marathons. Once, several years ago, a scant three weeks before the big New York marathon, an out-of-control car crashed into Richard's and he was taken to the hospital.

He was not badly injured. Nevertheless, his friends felt sorry for him because being laid up two weeks in bed would, naturally, knock him out of the big event.

What a surprise when, on that crisp November marathon morning in Central Park, Richard showed up in his little shorts and big running shoes. You're in no shape to run. You've been in bed these past few weeks! Every day. Twenty-six miles, yards, right there on my mattress. He saw the sights, heard the sounds, and felt the twitching movements in his muscles. He visualized himself racing in the marathon. Richard didn't do as well as he had the year before, but the miracle is he finished the marathon, without injury, without excessive fatigue thanks to his visualization.

It works in just about any endeavor you apply it to-including being a terrific communicator. Visualization works best when you feel totally relaxed.

Only when you have a calm state of mind can you get clear, vivid images. Do your visualization in the quiet of your home or car before leaving for the party, the convention, or the big-deal meeting.

See it all in your mind's eye ahead of time. You now have the skills necessary to get you started on the right foot with any new person in your life. Think of yourself in these first moments like a rocket taking off. When the folks at Cape Kennedy aim a spacecraft for the moon, a mistake in the millionth of a degree at the beginning, when the craft is still on the ground, means missing the moon by thousands of miles.

Likewise, a tiny body-language blooper at the outset of a relationship may mean you will never make a hit with that person. We now move from the silent world to the spoken word. Just as the first glimpse should please their eyes, your first words should delight their ears.

Your tongue is a welcome mat embossed with either "Welcome" or "Go Away! Small talk! Can you hear the shudder? Those two little words drive a stake into the hearts of some otherwise fearless and undaunted souls. Invite them to a party where they don't know anyone, and it mainlines queasiness into their veins. If this sounds familiar, take consolation from the fact that the brighter the individual, the more he or she detests small talk.

When consulting for Fortune companies, I was astounded. Top executives, completely comfortable making big talk with their boards of directors or addressing their stockholders, confessed they felt like little lost children at parties where the pratter was less than prodigious.

Small-talk haters take further consolation from the fact that you are in star-studded company. Fear of small talk and stage fright are the same thing. The butterflies you feel in your stomach when you're in a roomful of strangers flutter 'round the tum-mies of top performers.

Pablo Casals complained of lifelong stage fright. Carly Simon curtailed live performances because of it. A friend of mine who worked with Neil Diamond said he insisted the words to "Song Sung Blue," a tune he'd been crooning for forty years, be displayed on his teleprompter, lest fear freeze him into forgetfulness.

Is Small-Talk-a-Phobia Curable? Someday, scientists say, communications fears may be treatable with drugs. They're already experimenting with Prozac to change people's personalities. But some fear disastrous side effects. The good news is that when human beings think, and genuinely feel, certain emotions-like confidence that they have specific techniques to fall back on-the brain manufactures its own antidotes.

If fear and distaste of small talk is the disease, knowing solid techniques like the ones we explore in this section is the cure. Incidentally, science is beginning to recognize it's not chance or even upbringing that one person has a belly of butterflies and another doesn't. In our brains, neurons communicate through chemicals called neurotransmitters.

Some people have excessive levels of a neurotransmitter called norepinephrine, a chemical cousin of adrenaline. For some children, just walking into a kindergarten room makes them want to run and hide under a table.

As a tot, I spent a lot of time under the table. As a preteen in an all-girls boarding school, my legs turned to linguine every time I had to converse with a male. In eighth grade, I once had to invite a boy to our school prom.

The entire selection of dancing males lived in the dormitory of our brother school. And I only knew one resident, Eugene. I had met Eugene at summer camp the year before. Mustering all my courage, I decided to call him. Two weeks before the dance, I felt the onset of sweaty palms. I put the call off. One week before, rapid heartbeat set in.

Finally, three days before the big bash, breathing became difficult. Time was running out. The critical moment, I rationalized, would be easier if I read from a script. I wrote out the following: "Hi, this is Leil. We met at camp last summer. I picked up the receiver and dialed.

Clutching the phone waiting for Eugene to answer, my eyes followed perspiration droplets rolling down my arm and dripping off my elbow. A small salty puddle was forming around my feet. In faster-than-a-speeding-bullet voice, like a nervous novice telemarketer, I shot out, "Hi, this is Leil. He continued, "I'll pick you up at the girl's dorm at I'll have a pink carnation for you. Will that go with your dress? And my name is Donnie. Who said anything about Donnie? Well, Donnie turned out to be the best date I had that decade.

Donnie had buckteeth, a head full of tousled red hair, and communications skills that immediately put me at ease. On Saturday night, Donnie greeted me at the door, carnation in hand and grin on face.

He joked self-deprecatingly about how he was dying to go to the prom so, knowing it was a case of mistaken identity, he accepted anyway. He told me he was thrilled when "the girl with the lovely voice" called, and he took full responsibility for "tricking" me into an invitation. Donnie made me comfortable and confident as we chatted.

First we made small talk and then he gradually led me into subjects I was interested in. I flipped over Donnie, and he became my very first boyfriend. Donnie instinctively had the small-talk skills that we are now going to fashion into techniques to help you glide through small talk like a hot knife through butter.

When you master them, you will be able-like Donnie-to melt the heart of everyone you touch. The goal of How to Talk to Anyone is not, of course, to make you a small-talk whiz and stop there. The aim is to make you a dynamic conversationalist and forceful communicator. However, small talk is the first crucial step toward that goal. You've been there.

You're introduced to someone at a party or business meeting. You shake hands, your eyes meet. You fish for a topic to fill the awkward silence. Failing, your new contact slips away in the direction of the cheese tray.

We want the first words falling from our lips to be sparkling, witty, and insightful. We want our listeners to immediately recognize how riveting we are. I was once at a gathering where everybody was sparkling, witty, insightful, and riveting. It drove me berserk because most of these same everybodies felt they had to prove it in their first ten words or less! Several years ago, the Mensa organization, a social group of extremely bright individuals who score in the country's top 2 percent in intelligence, invited me to be a keynote speaker at their annual convention.

Their cocktail party was in full swing in the lobby of the hotel as I arrived. After checking in, I hauled my bags through the hoard of happy-hour Mensans to the elevator. The doors separated and I stepped into an elevator packed with party goers.

As we began the journey up to our respective floors, the elevator gave several sleepy jerks. Suddenly I felt like a grasshopper trapped in a stereo speaker.

I couldn't wait to escape the attack of the mental giants. Afterward, in the solitude of my room, I thought back and reflected that the Mensans' answers were, indeed, interesting. Why then did I have an adverse reaction? I realized it was too much, too soon.

I was tired. Their high energy and intensity jarred my sluggish state. You see, small talk is not about facts or words. It's about music, about melody. Small talk is about putting people at ease. It's about making comforting noises together like cats purring, children humming, or groups chanting. You must first match your listener's mood. Like repeating the note on the music teacher's harmonica, top communicators pick up on their listener's tone of voice and duplicate it.

Instead of jumping in with such intensity, the Mensans could have momentarily matched my lethargic mood by saying, "Yes, it is slow, isn't it? And friendships might have started. I'm sure you've suffered the aggression of a mood mismatch. Have you ever been relaxing when some overexcited, hot-breathed colleague starts pounding you with questions? Or the reverse: you're late, rushing to a meeting, when an associate stops you and starts lazily narrating a long, languorous story.

No matter how interesting the tale, you don't want to hear it now. The first step in starting a conversation without strangling it is to match your listener's mood, if only for a sentence or two.

When it comes to small talk, think music, not words. Is your listener adagio or allegro? Match that pace. I call it "Make a Mood Match. Some years ago, I decided to throw a surprise party for my best friend Stella. It was going to be a triple-whammy party because she was celebrating three events. One, it was Stella's birthday. Two, she was newly engaged.

And three, Stella had just landed her dream job. She had been my buddy since grade school, and I was floating on air over her birthday-engagement-congratulations bash. I had heard one of the best French restaurants in town had an attractive back room for parties. About 5 p. I began excitedly babbling about Stella's triple-whammy celebration and asked to see that fabulous back room I'd heard so much about. Without a smile or moving a muscle, he said, "Zee room ees een zee back.

You can go zee eet eef you like. What a party pooper! His morose mood kicked all the party spirit out of me, and I no longer wanted to rent his stupid space. Before I even looked at the room, he lost the rental.

I left his restaurant vowing to find a place where the management would at least appear to share the joy of the happy occasion. Every mother knows this instinctively. To quiet a whimpering infant, Mama doesn't just shake her finger and shout, "Quiet down. Mama cries, "Ooh, ooh, oh," sympathetically matching baby's misery for a few moments. Mama then gradually transitions the two of them into hush-hush happy sounds.

Your listeners are all big babies! Match their mood if you want them to stop crying, start buying, or otherwise come 'round to your way of thinking. Take a "psychic photograph" of the expression to see if your listener looks buoyant, bored, or blitzed.

If you ever want to bring people around to your thoughts, you must match their mood and voice tone, if only for a moment. Once while at a party, I spotted a fellow surrounded by a fan club of avid listeners. The chap was smiling, gesticulating, and obviously enthralling his audience.

I went over to hearken to this fascinating speaker. I joined his throng of admirers and eavesdropped for a minute or two. Suddenly, it dawned on me: the fellow was saying the most banal things! His script was dull, dull, dull. Ah, but he was delivering his prosaic observations with such passion, and therefore, he held the group spellbound.

Dottie, trying to be obliging, would say, "Oh anything is fine with me.

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