Fishing Boats For Sale Las Vegas Quart

Ranger DVS Special for sale for $7, - myboat274 boatplans Mar 15, �� Ordered 3 Ionic Batteries and 4 bank Ionic Charger from Drewcraft 2 50ah 1 ah Great service from Drewcraft, he answered all my questions, and responded to text and e-mail promptly. I would def recommend for anyone looking. Batteries were installed in a v Ranger with a GT Johnson I removed a total of lbs from the back of the boat. ???????(traveldog)??????????????????????????????????????????????????????. ?????????no.1?????????????????????????????????!
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Thread: Ionic Lithium Battery Review. Page 1 of 3 1 2 3 Last Jump to page: Results 1 to 20 of Ionic Lithium Battery Review Ordered 3 Ionic Batteries and 4 bank Ionic Charger from Drewcraft 2 50ah 1 ah Great service from Drewcraft, he answered all my questions, and responded to text and e-mail promptly. I would def recommend for anyone looking. Batteries were installed in a v Ranger with a GT Johnson I removed a total of lbs from the back of the boat.

First outing today, fished a local tournament. Holeshot was greatly improved. The bow hardly raises up anymore and it got up on plane much quicker.

Easily could have fished till dark. Love the constant power, no more dialing it up because the battery is dying. Stayed on the trolling motor hard all day, only cranked the big motor 4 times today. Light Wind I see this question asked a lot on here. There is no comparison to these batteries and lead acid.

They are worth every penny. Love my Ionics YOU are not entitled to what I have earned!!!!! I have two Ionic 54 amp batteries that I bought from Drewcraft. I generally fish about 6 hours when I go. They power a MinnKota Ultrex 80 pound thrust. I have 3 AH Ionics for my Garmin force. I fished a tourney the other day. The wind blew terrible that day and we used anchor lock quite a bit also. I'm a happy camper. Bought mine from Andy and he was very helpful. Good luck. I'll be replacing two Optima blue tops.

Originally Posted by rangered. I wish I could use a lithium cranking battery but to my knowledge no lithium battery will work with older outboards.

Have a look on Reverb and folks are asking more than that for just the head. Source Audio Ventris Dual Reverb , pic2. One of the best digital reverbs on the market, the Ventris features 12 onboard reverb engines as well as an expansive collection of reverb effects available via the Neuro Mobile App or Neuro Desktop Editor. This baby features two completely independent bit reverb processors, housing a matched pair of powerful reverb pedals in a single box.

The powerful dual processing architecture yields some serious advantages including massive processing muscle, adjustable preset spillover time and the ability to create dual reverb effects. Dual reverb effects allow you to combine two reverb engines expanding ambient possibilities - you can run dual reverb effects in a parallel or cascading signal path, or split your reverbs and send a different effect to each of the pedal's two Outputs.

With its true spillover changing from one preset to the next in live situations, there is no abrupt cutting off the trail of the previous effect. There's too much to list here but check out this demo for some more description and good demos.

Another in the new line of Tone Print enabled effects, the Flashback Mini also allows you to easily transfer your favorite delay settings via USB, again, with custom patches by some big name artists. With a delay time up to 7 seconds, this is fairly powerful for a base model delay. It is a mono delay with Feedback, Delay, and FX Level controls to let your sculpt your delay sound just right.

Don't confuse with the more recent mini pedal, this is TCE's full-size doubler pedal with 3 tracks. This one makes your tone sound huge, like 4 guitarists playing at once. It sounds realistic and lets you add up to 3 additional guitar tracks and all in extremely impressive stereo in and out. Your solos will sound huge.

Controls include Tightness, Dry, Effect, and Dubs. The Tightness control simulates the feel of 2 separate takes while the Dubs switch thickens your tone by adding additional tracks. You can dial in a tight sound or much looser as you add more tracks. Dry and Effect control the mix of your original signal and the doubled signals.

This thing sounds great with clean or distorted guitar, acoustic or electric. It even works great with a mono set up. Celestion G12H 16 Ohm Speakers , back. Note: Jensen is unavailable. The Celestion G12H is an 8 ohm, rated at 30 watts.

It is loud and proud thanks to its heavy magnet structure, and provides a fusion of the Vintage 30 and the Greenback speakers, producing a thick, warm and syrupy sound while still retaining a tight and focused bottom end. Wamper Sovereign Distortion. Mint condition. Brian Wampler is one of this generation's true gurus of distortion and the Sovereign is just another example of his genius.

It's 4 knobs and 2 switches are capable of creating many, many great tones, ranging from vintage crunch to modern hi-gain distortion and much more.

The layout is simple. The Mid takes the pedal from sweet and fluid to something much more aggressive and, remarkable, this control doesn't affect clarity and dynamic response. The other switch is your typical Boost switch which can add even more gain. The pedal features true bypass switching and can run on 9V battery or just about any pedalboard power supply.

Boss OD-2 Turbo Overdrive. The design incorporates the mode of the original OD-1 but adds another Turbo mode to provide higher gain and more distortion. If you just want to push the front end of your amp more you might just want to stick with the standard mode. Playing through a clean amp you'll likely prefer the Turbo mode.

Boss BF-2 Flanger. The BF-2 reigned as Boss's stompbox flanger for over 20 years before it was discontinued in It's effect is produced by combining the original signal with an electronically delayed signal.

Using four controls, you can tailor a variety of sounds--from dynamic jet-plane effects to short delay, chorus and vibrato sounds. It's actually an extremely versatile pedal although most people only have one vision of what a proper flanger sounds like. I've had dozens of these over the years and never had one with performance issues. They last a lifetime. High quality but affordable studio grade all-analog optical compressor for guitar or bass.

For this reason I consider it a bass comp first, although BBE marketed it as much for guitar as bass. Other features include: Output and Threshold controls, 1MEG Ohms input impedance for proper pickup loading, 1K Ohms output impedance when engaged, blue status LED for high visibility and low power consumption, easy access battery compartment, and true hardwire bypass. Equally useful to guitarists or bassists, a compressor is frequently the last thing a guitarist looks for when creating a pedalboard.

Once they get used to it they rarely leave it out of the set up. Click here for a demo. Rocktron and their Hush systems have been at the pinnacle of noise reduction since the '80s and this is a pedal version of their acclaimed rack effect.

The Pedal will wipe out hiss, unwanted feedback and pickup buzz, deliverying 65dB of signal cleanup while maintaining the integrity of your music. Just place your Hush after noisey effects like distortions, wah's, vintage effects, or at the end of your signal chain, then just turn the Threshold knob until the noise goes away. Unlike a regular noise gate that chops off the end of notes or kill your sustain, The Pedal uses a different form of technology that tracks your signal all the way and pushes the noise floor below the point where it's audible.

This dual channel model features two footswitchable thresholds for even more versatility. All this is housed in a die-cast aluminum box which will never rust. It is truly built to last. For more info check out this typically great demo from ProGuitarShop link. Keeley 30ms Automatic Double Tracker Delay. An amazing little pedal that was designed to emulate the sounds of the Abbey Road studio. Not just for guitar, this pedal can add that cool vibe to bass, keyboard or vocals.

Using an array of studio doubling effects it creates a natural, thicker sounds and even includes an "Abbey Verb" that simulates the reverb chamber in the famed Studio Two.

In the Dimension Mode you can create up to two different voices for a stereo double tracked field. The Abbey Mode is more similar to a conventional chorus, simulating synched tape decks with varying tape speeds running in parallel.

Works in either mono or stereo mode. There's also a Slapback Mode for 50s rockabilly, with a delay range that goes to ms in this mode. In addition there are two internal DIP switches which let you change to pro mode. This thing really sounds breathtaking so maybe take a listen to this demo, link , with some distorted guitar started around Excellent quality time-domain effects including tape saturation, double-tracking emulation, flanger, chorus, and delay.

If you're a player who likes control over your tone, the Deco has loads of adjustable perameters to tweak your sound to perfection. This pedal excels at emulating the sound of 2" tape complete with non-linear odd-order harmonics and lush tape overdrive. You'll swear you're in a 70s recording studio. There are too many features to describe here but YouTube has a 25 min demo from Strymon or check out this shorter demo by ProGuitarShops here. Power supply and rubber feet are included in the box. Before I proceed let me tell you that this was designed for rock bass and it does a great job, but for softer-edge styles like jazz you should look elsewhere.

You can use this baby to drive a power amp directly, feed your existing bass rig, or power it directly into the mixing board or recording deck as a standard DI. You can dial in anything from one of the old Flip-Top Ampegs, to the massive tones of the SVT, from clean to fat distortion - it's all in there.

The Level and Drive controls work like your existing rig while the Low, Mid and High are active, giving a very wide array of tone choices.

The Character knob gives you a continuously-variable control to move between different model voicings. From vintage - to high-gain - to massive earthquake tones. The Character and Mid controls, and the speaker emulations, were designed to emulate the specific amps and speakers of the original so you get an entire Ampeg vintage history in a single box.

Back in the day I used to throw a SansAmp in my case in the event I had amp failure and several times it paid off. Just plug in and go direct to the mixing board It's a lot easier than loading in an entire backup rig. Click here for a demo � cleaner settings appear toward the end of the demo.

Note: I have one still in the tin box with paperwork for a little more. Tech 21 Leeds Distortion. Tech 21, makers of the original SansAmp, know how to do authentic amp distortion in a pedal. It produced a beautiful vintage Hiwatt tone and like the old DR amps, this baby has tons of clean headroom. Of course being a member of the Sans Amp family you can be certain this pedal also makes a killer direct box, straight into your recording deck or DAW. Most of the pedal will be very familar with the usual Level and Drive controls on your amp and the Low, Mid, and High controls are very powerful as pedals go.

Now it gets a little more specialized The Character knob is a continuously-variable control that moves seamlessly between different model voicings, covering vintage, high-gain, and face-melting lead tones. The pedal's Character and Mid controls, and the speaker emulations, are all engineered to personify the specific amplifier traits and speakers associated with each amplifier type. The speaker emulation button is pretty magical and serves as a specialized high-end roll-off that simulates the sound of a large cab when you aren't using one i.

Using the pedal into the front end of your amp or in the effects loop you can disable the speaker emulation but note that Tech21 mentions that the pedal is brighter with the speaker sim engaged, since many guitar preamps have circuitry that emphasizes treble.

FFM2 model with Germanium transistors. Everybody likes a germanium fuzz in their pedalboard but the larger models take up a load of space on your pedalboard, thus the Mini. The FFM2 has vintage circuitry with modern modifications. It's based on the mid-'60s Fuzz Faces with slightly mismatched germanium transistors which contributes to a warmth that you can't get out of the harsher sounding silicon transistors.

Legends like Jimi Hendrix and David Gilmour swore by them. Includes rubber bottom pad. Ibanez Tubescreamer Mini. With floorboard real estate at a premium Ibanez has joined the companies making mini pedals. The Mini sounds the best! I get in a lot of tuners and this Polytune is the best value, dollar for dollar, by far. Polyphonic � just strum all your strings and it will tell you which ones are off. Supports Drop D and many other tunings and you can save and recall a difficult tuning or reference pitch.

Operates in strobe mode, which is cool, or needle mode. For a good brief demo click here. A "must have" for a Bassman if you want any break up due to the massive clean headroom the amp has and you really have to drive it to painfully loud levels for power tube saturation.

This model is made for 2 Ohm load and works best for amps rated at 2 ohms such as the Fender 4X10 Bassman. Offers Bright and Deep switches for tailoring your sound - Bright switch gives you two different high frequency levels to compensate for an overly bright, or dull speaker cabinet while the Deep switch offers two distinct bass settings to help you fill out the bottom end, or reduce the bass in a cabinet with too much low end.

Has built in noise reduction up to 10dB, line out, and a fan to keep it cool. Pedaltrain "Mini" Pedalboard and Case. Immaculate condition and a good choice for players who want to organize just bring a handful of pedals.

Strong and lightweight; made of welded aluminum alloy tubing with a durable powder coat finish. Board size is 20" x 7" x 2" and weighs just 2. Velcro is factory attached to the board and unit comes with Velcro to attach your pedals. Electroharmonix Pedal Case , sample layout. Top of bag zips off completely for use. Velcro strips are integrated into the base. Large storage compartment.

For larger pedalboards solutions check out: Ultimate Support Pedalboard and Case , pic2 , pic3. High quality GSP Genesis Series pedalboard that uses their universal power supply mounting system. It uses clamps to fit a wide variety of power supplies underneath the board. Additionally, their cable management system under the board use a specially angled design and prevents cord clutter.

Large enough to fit a lot of pedals at 24" X Velcro already attached to the base and I'll include Velcro for the bottom of your pedals. Sperzel Trim Lok Tuners. Sperzel set post holes, was installed briefly on a guitar. Seymour Duncan Slash Set. Slash signature APH-2 neck and bridge mounted on Warmoth pickguard.

Aged nickel covers. If you want these for your LP, no problem. Easy upgrade for your Strat. Loaded Strat Pickguard � DiMarzios. All brand new components including pickups, pickguard, and electronics. Used pickups, all else new. Loaded Strat Pickguard � Lace Sensors.

This is one of my favorite Strat pickups of all time and the RSB set is icing on the cake. These are mounted to an aged pickguard by Bayou Guitar Works. Brand new although the Ultimate Blues had the wrapper removed. Bunch of guitar parts just in. Factory painted bodies and some nice necks, plus around 10 loaded pickguards with quality electronics, and various hardware. Will start posting tomorrow I hope. Warmoth and Fender Bodies necks and loaded pickguards will be listed shortly.

The Warmoth bodies have never had strap pins attached and are new, although there might be minor flaws. The Fender bodies are used. Fender Strat Body � Honey Blonde. Small clear coat ding on back edge but very nice shape, lovely ash grain. Looks kind of like Inca Silver but a little more sparkle. Vintage tremolo, no tilt adjust.

Clear coat crack next to neck pocket and 2 blems shown with red arrows. Warmoth Strat Body � Seafoam Green. Built and finished by Warmoth. Very lightweight, just over 3 lbs. Big Selection of Pickguards. SSS and HH, plastic and anodized, most are new with plastic film.

Callaham Neckplates. One with no serial, others have 5-digit serials, all are satin finish stainless steel. These are stronger and resist bending so your guitar will not get dented easily.

Great tone starts with a great neckplate. Top protection for your P or J bass. Classic Tolex over 3-ply wood with stitched leather ends and handle. Includes keys. Nice shape and nice price. Beautiful condition, nice playing P-bass. If you're just starting out, or simply need a bass for occasional studio work this would be a good choice if you're on a budget.

One of the cool features of this model is the combination of the Jazz bridge pickup and Precision in the mid position, which gives you the two classic tonal options: the biting mid-range tone of a Jazz that cuts through the mix - or the fat, thunderous sound of a P-bass that shakes your pants leg. Individual volume controls onboard so take your pick - or blend them however you want.

Offered in near mint condition with plastic still on the pickguard and a pro set up that will set it apart from any new one you're considering online. Virtually every aspect of this bass has been upgraded, dramatically improving its tone and playability. Let's start with the electronics. To finish it off it now features a Stingray logo on the headstock so it looks as professional as its parts and the entire neck has been sprayed with clear lacquer in place of the original satin finish.

Tonally, this is one of those basses that is capable of any tone you have in your head. As versatile as they come. Playability is superb with low action and minimal string rattle. Previously posted as a single-pickup Esquire. I decide to re-do this one as an HS Tele to appeal to more players. It features top quality components using a '00 Fender American Tele body dated in pic here as a starting point. About the only other thing that's stock is the bridge assembly, wiring harness and neckplate.

The neck has been changed to a newer Warmoth with the truss adjustment on the treble side near the butt. It features an Earvana compensated nut and Hipshot locking tuners.

Neck profile is Warmoth's 59 rounded, based in a '59 Les Paul very much like a 90s Gibson LP and is rather substantial but not at all chunky. It had relocated string trees at some point and since the staggered Hipshot locking tuners don't require trees it has 4 holes where trees were once installed, and impressions from previous vintage tuners.

That's the worst aspect of the guitar and it doesn't affect the integrity or tone in the least. Neck has been painted black with the back of the neck hand rubbed to a very comfortable satin finish. Pickups are a Fender Vintage Noiseless Tele in the bridge and a Seymour Duncan Jazz Neck humbucker controlled by a mini 3-way switch to control the neck humbucker so you essentially can get 7 tones.

Tonally it has a very spanky Tele tone or a fat tone for all your Keith Richards tones. Set up is excellent, probably better than it was stock since I believe Warmoth necks are generally better than stock Fender. The body is in clean shape other than a few clear coat scratches. Boss MT-2 Metal Zone , panel. Boss' best metal pedal ever - and the most versatile distortion. With the 3-band EQ, including sweepable mid you can dial in a huge variety of tones.

It does the scooped mid tone as good as anything ever made, or boost the mids and cut the bass and treble for a variety of tones ranging from VH to ZZ Top. The MT-2 is one of Boss's best selling effects of all time and is now, believe it or not, it's been 30 years. From the good old days, made in the USA. Good sounding and built for 4 more decades of use.

Other than an OD, this was my only effect when I started getting serious about playing 40 years ago. Still sounds very cool today.

Nice shape in original box with original power supply, which thankfully is included since otherwise it takes two 9V batteries. Cool old pedal from DeArmond that combines a pump volume pedal, with a side-to-side tone pot. This is not a wah pedal that changes the frequency, but a treble roll off. Here's a YouTube video demo link. Three Hound Chorus oozes the warmth, thickness, and richness we're looking for in an all analog chorus. It features Depth and Speed controls, plus a unique Width control which physically changes the distance or width between wave forms adding a whole new dimension to the effect.

It is wired true bypass and has a dedicated LED that flashes to indicate speed setting. It can be powered by your choice of either a 9v battery or a standard 9v negative-center adapter. When I first plugged this pedal in I thought it was a tremolo and, in fact, it can cover that ground very well as well.

Click here for a good demo by ProGuitarShop. Fuchs Plush Drive. I love Fuchs gear. Their amps and pedals are all hand-built in their New Jersey shop with superb quality and engineering.

The unique 4-knob circuit gives you unprecedented control over the most important aspects of your tone. On the input end, the gain and touch controls allow you to set just the right amount of distortion and pick response, based on your guitar and playing style.

On the output end, a subtle tone control and level control allow you to set both your overall lead tone and solo level. Sounds great plugged into a good clean amp, or add it to your amps overdrive for a super thick overdrive tone, and it's quiet enough to put in front of an overdriven amp easily.

Features feature: Cast aluminum housing, industrial powder coat finish, heat cured silk screen labeling, true bypass, Cliff switch, Neutrik connectors, metal shaft controls, premium boutique quality passive components, and mil spec fiberglass two sided circuit board for consistent long term performance.

Every player should have a boost pedal. It has a number of uses, the most basic one being to boost your leads. Other amps simply need a hotter input signal to come to life. The Nitro offers an impressive 22dB boost while enhancing a player's articulation by its soft compression. If you're looking for a quality stage tuner without spending a fortune, here you go. The X-Tuner chromatic tuner has multi-light LEDs and lighted notes that make it easy to tune on dark stages, plus the strong aluminum chassis guarantees years of problem free use, gig after gig.

Also featured are muting for silent tuning and continuous out for live tuning note tuning with a 7 octave range.

Use the calibration knob to match the pitch of another instrument, CD, tape, etc. Danelectro Fab Fuzz. I think this is a decent sounding fuzz. Click here to see if you agree. Bearfoot Pink Purple Fuzz. It's kind of a misnomer to call this a fuzz since it can actually work as a dist, OD, or fuzz, and like the Arctic White Fuzz below, do it with low noise. It's ideal for players looking for a single pedal that can do a quality 60ss fuzz tone.

One of the benefits of the Pink Purple is it happily sits anywhere in your signal chain, unlike many that need to go first. This one's actually new, old stock so immaculate condition. Schecter's high-end C-1 Series with upscale cosmetic appointments, electronics, and hardware. A remarkable guitar in terms of features, playability, and looks, the C-1 FR Hellraiser features EMG active pickups EMG81TW and EMG89 , both with coil split via dual volume knobs; an Original Floyd Rose tremolo with original Floyd locking nut; stunning Abalone inlay along the entire edge of the top; Abalone bound headstock; Abalone Gothic Cross inlays, black chrome hardware, neck-thru design with "ultra access" design for easy playing to the top frets, 24 extra jumbo frets, Bearfoot Arctic White Fuzz.

As it has a very low background noise it's great for recording. Runs on any 8VV power supply. I don't think they're making these anymore and they're out of stock on BJF's web site.

Offered in typical used condition and comes in original box. If you're looking for a cool delta tone with the ability to strum, pick, or slide, this one does it and at an affordable price.

Features include all mahogany body with vintage semi-gloss finish, 's Gretsch headstock with aged pearloid MOTS overlay, internal Sound-Well bracing, medium V-shaped mahogany neck with 1.

A critical area in all resonators guitars is the diaphragm resonator cone and this has a good one with the Gretsch "Ampli-Sonic", hand-spun in Eastern Europe from nearly 99 percent pure aluminum.

It sounds loud and proud. Other features include Fishman Nashville Spider bridge, weathered trapeze tailpiece, Grover Sta-Tite tuners with black buttons, This guitar had one small crack near the treble F-hole that Martin has glued.

It will never pose a problem. Overall very nice shape with a really nice low-action set up which makes Spanish style playing a breeze and since Martin went inside and attached the piezo sensors properly it actually sounds as good plugged in.

Parker Gen 1 DiMarzios. Original 90's Parker Fly pickups correct for which are Air Norton neck position and ToneZone bridge position. Included are electronics consisting of 4 pots 2 vol, 2 tone , 3-way switch, output jack and connection circuit board. Includes instruction manual for pickups and wiring buss. Within the past 12 years this little Boss unit has risen to the top in terms of vintage reverb stomp boxes. Each year the price goes up and the supply goes down. So it goes. Using Boss's acclaimed COSM technology, it accurately models the flavor of an early 60's Fender tube reverb unit, which are superb old units but are around the size of an amp head and weigh nearly 20 lbs.

Operation is very simple: Mixer balances out the dry and wet signal; Tone smoothes out the rough edges, and a Dwell knob determines the length of the reverb trail.

To my ears it sounds as authentic as the outboard Fender reverb behemoths while fitting inside the back of your combo or on your pedalboard. Boss FZ-2 Hyper Fuzz , pic2. The most popular Fuzz in Boss history was somehow discontinued in '97 in favor of the FZ-3, which was a dud in comparison. It is an amazing sounding unit in insanely clean condition. There is a tiny scratch on the side but it's so faint it wasn't visible in the photos and is otherwise like new.

Includes box and manual. Even more than the FRV-1 above prices on these have gone up dramatically over the past 10 years. Look around. Korean made and part of the acclaimed Soundgear series, one of the most popular bass series of all time.

These Soundgears have stood the test of time and from my experience, they're the 2nd most popular basses going, behind Fenders P and J basses. Don't get me wrong, Fenders are fantastic basses but in terms of versatility, it's hard to beat Ibanez' active tone circuit with 3-band EQ, volume, mix, and DX6 pickups. This allows you to dial in a wide variety of tones to suit the song or compensate for the venue. Want the big bottom of a Precision - just boost the bass and cut the mids and highs; for a Jazz, boost the mids, etc.

With its body of light American maple with a clear gloss finish, this looks like a bass player's bass. Add in a thin but very wide fretboard and deep cutaways and you have a neck that's very easy to get around on - from the first fret to the top. This model scored a 9 overall on a bunch of reviews at Harmony-Central and of course it plays well and sounds fantastic.

If you're thinking about moving up to a 6 this is an easy recommendation from me. The most affordable Jazzmaster yet and retains the unique offset Jazzmaster body and comfortable C-shaped neck. Rather than single coils though, this model comes equipped with dual humbuckers for a fatter tone which will make it much more than a surf guitar. Other features include hardtail string-through-body bridge, sealed die-cast tuners, white gloss finished body with comfortable satin finish on the neck and 3-ply black Jazzmaster pickguard.

Factory set up was mediocre but it now plays with ease thanks to an excellent in-house setup by my man Martin. Excellent quality import Tele based on the Steve Cropper Generation. I really like the vintage tint neck while the sculpted headstock adds a touch of class for this workhorse guitar. It also has some nice flame in the fretboard. Pickups sound excellent and I wouldn't recommend changing them until you've heard it.

Personally, I wouldn't change them. Other features include 5-screw neck attachment, vintage tuners, single-ply beveled flat black pickguard and chrome hardware. Playability is excellent and for the money this one's hard to beat. At around the same price as a Squier Classic Vibe I think this one would win a shootout. Radial Tonebone Plexitube.

From their various overdrives, to switchers, to loopers, they always do a lot more than you expect. The Plexitube is no different. Utilizing a 12AX7 tube to add warmth, and true bypass to avoid signal degradation, the Plexitube produces four generations of Marshall Plexi tones. It features two distinct distortion channels for quick switching between rhythm and lead settings with Channel 1 optimized for chunky rhythm tones and scooped mids and Channel 2 is voiced for solos with fat mids and great sustain.

It also features an effects loop that can automatically turn your delay, i. Keeley Stahlhammer Distortion , pic2. Keeley's take on a British amp in a box and it does the job nicely.

It features the usual Distortion and Volume knobs plus a 3-band tone stack of Bass center frequency hz , Middle frequency range of hz Keeley offers that in Tube Amp Crunch the LED lights up and is actually part of the clipping circuit while with the switch down Lead Channel the LED doesn't light up and it provides higher gain and more saturation.

You would think this pedal would be a Marshall clone but many folks online have suggested it shares more with a Rat pedal than with Marshall. Whatever, I think it sounds excellent. This particular one is "as new", not a scratch, in the box with all the stuff.

Reissue of one of the most popular Distortion pedals of the 70s and 80s. It sounds as good today as when I played in my high school garage bands. Offered in "as new" condition in the box with rubber feet, manual, sticker, etc. I love this technology. It uses a guitar input as the source for determining which harmony to add so there's no programming required.

The harmonies change from major to minor based on your chording. It's the same technology used in the Helicon "Harmony G" which is was my favorite unit for a few years. It features 8 different harmony arrangements, 3 reverbs room, hall, club , a separate mix level for harmonies and an Adaptive Tone control. This tone control isn't your basic tone and it actually adds in EQ, compression and de-essing, giving your vocals a sparkle that aren't there when that features is turned off.

Here is a very pro demo by TC Helicon link and one from a regular guy link. Focusrite Trakmaster Pro Mic Preamp , panel back , box. Just found these, hidden away for years � Brand new, out of the box only to shoot pics. The British company Focusrite has been a leader in top quality, but rather expensive, studio gear for years but in recent years has developed some affordable gear that most home studio's and club bands can afford.

This unit is an updated model over the original Trak Master, which had a typical class A Platinum design, based around a Rhom transistor. Other enhancements of the TrakMaster Pro include a Lo-Z setting for use with older ribbon mics; a port-hole style moving coil peak level meter which can be switched between input, output and comp gain reduction , and a latency-free monitoring section which allows you to route the output of your DAW through it and create a monitor mix with the signal coming direct from the unit headphones and speakers.

For a review check out Music Radar here. Includes all paperwork and external power supply. Just found after a year MIA in a mislabeled case. Great feeling guitar with quality tone, Petrucci vibe, with a few mods. The logo has been removed from the headstock � the body, which is factory satin finish, has been lightly buffed out to a semi-gloss finish compare to headstock in first pic above. A trem stop has been installed, allowing for down pressure only, EVH style, with advantages such as tuning stability during string bends and string breakage.

The JP is a rather unique, well made guitar, The neck and headstock picture are one, meaning no scarf joint, which is more expensive to manufacture but adds stability and avoids potential separation. Stock features include Basswood body with custom deep forearm contour, maple neck with rosewood fingerboard and custom Sterling Petrucci Neck carve, reverse controls 3-way closest to your picking hand , Locking Tuners, 24 medium-jumbo frets, Sterling Modern Recess Tremolo with a really solid block, If you can live without a Sterling logo, this has some tasteful upgrades and superb playability at a nice price.

From Ibanez's extensive bass line the ATK was always the big boy, with a large ash body, beefy neck and excellent selection of tones that can dial in virtually any style of music you're playing.

The tone compares favorably to a Music Man Stingray, partly due to the electronics suite. Boss AC-2 Acoustic Simulator. Super clean; perhaps the best acoustic pedal ever made.

Much more versatile than a Fishman bridge - and cheaper too. For players who are looking for electrics with an acoustic bridge, this thing sounds better and works with any electric guitar. Has settings for Jumbo, Standard, Enhance and Piezo. Updated version of the RC Create some real magic with these baby - loops and riffs can be stacked repeatedly until the entire massive 16 minutes of recording space is full.

Never before has it been so easy to create a large one-person-band sound in real time. Save up to 11 loops at a time. Undo function makes it easy to create perfect loops. Built-in auto quantize for simple and accurate loop timing. Change loop tempo without changing pitch.

Footswitchable loop select with optional footswitch. This is a killer toy and an even better tool if you know what you're doing. You can do "The Edge" type songs with ease and so much more. Clean shape in the box with CD, manual, etc. Sennheiser e Silver Instrument Mic. Excellent quality instrument mic. The design and specs allow for simply draping over the top and resting on grill cloth if you prefer to not use a mic stand. Also works well with drums. Features include rugged metal body, advanced shock-mount design, super-cardioid pick-up pattern, and hum compensating coil.

Love this new series from Fender which debuted in June This series celebrates the different vintage eras 50s, 60s, 70s with the fundamental design of original models Strat, Telecaster and P-Bass remaining largely true to the original but with slight unique features, primarily sound, colors and pickups. The "Modified" aspect of this model takes it a step further and adds modern features, the flatter 9.

This guitar also has 3 nice aftermarket upgrades. Specs include alder body with Olympic White gloss poly finish, modern "C" neck with Pau Ferro fretboard, gloss Urethane headstock face with satin Urethane neck and back of headstock, synthetic bone nut, 2-Point Synchronized tremolo with stamped steel saddles, 3-ply mint pickguard with white aged knobs. This guitar sounds fantastic, very expressive and articulate with very good sustain.

Set up is impeccable: low, no string rattle. Pristine condition with no flaws noted. Includes Fender deluxe gigbag, manual, hangtags, and trem arm. Excellent 2-channel mic preamp and DI. If you do any recording you need a quality preamp to prevent your vocals and instruments from having a sterile tone. It's very versatile as well, with two channels, offering Class A solid-state preamps for a clean and clear sound, plus parallel 12AX7-driven tube preamps lets you blend in tube saturation to warm up your tone.

Some solo artist gig with these in place of a mixer, plugging their mic into one channel, their guitar into the other. Super-shallow bowl makes this very comfortable to play and the typical Ovation USA quality means this guitar can be enjoyed for many, many years. Although Ovations have a good acoustic tone where they made their money is their amplified tone, which is why they virtually owned the stage for all popular acoustic players in the 60ss, frequently playing a Balladeer with cutaway like this one.

Not surprisingly, I was completely impressed with this guitar through my regular guitar amp. As I mentioned Ovation has a reputation for amplified acoustic tone which is due to both the body's design and with quality electronics, which were always a step ahead of the competition. This era used Ovation's ET-3 system which consists of a saddle transducers and preamp with volume, 3-band EQ and battery check. This guitar had a top crack which was expertly repaired by my tech Martin who closed up the crack and finished over it.

Plays very nicely and sounds excellent, especially as a stage guitar. If you don't mind one non-problematic top crack it's in otherwise nice shape and an excellent deal on this guitar, which comes from a great era for Ovation USA. Truly a stunning acoustic with some of the best flamed koa you'll find and a genuine vintage guitar Santa Cruz, serial number The label is imprinted with the names of Richard Hoover and Bruce Ross.

The year after this one was built Hoover bought out Ross so this is the last full year with the Ross name association. Back in the 's, when the Orchestra Model OM size first came on the scene it was a large guitar and was designed to be heard above the orchestra instruments. Within a few years though the larger dreadnought came on the scene and became the size of choice for orchestra guitar players.

SCGC was one of the key builders who brought the instrument back into popularity in the 80s. The OM is noted for its versatility, equally at home with fingerstyle and flatpicking, with clean, loud mid-range and trebles and a slightly predominant bass. Suffice it to say it's nicely appointed and features very choice woods throughout. The fretboard is very tight grain and has some tan streaks in it so I suspect it's Brazilian. The neck is a V-shape, but it has more shoulders than most and it's not terribly deep and it's easy to get your hand around.

Tonally this one just blew me away, largely due to the pronounced bass response which sounds more like a dreadnought and an OM. The mids were punchy, the highs were clear. Very balanced overall. No excuses. Includes original case and work order receipt from SCGC. High output With soft picking you get cleaner tones; pick hard and you get more grit and fatness. Kent Armstrong Spitfire Strat Pickup. Seymour Duncan Strat Pickup Set , pic2. Mounted on a new single-ply black guard.

Inexpensive upgrade for your Mex Strat. Fender borrowed design elements from the Prosonic in designing the Supersonic 22, using a pre-Silverface voiced clean channel along with the cascading-gain drive.

To add a bit of shaping the clean channel includes a two-band EQ, as well as a "voicing switch" which offers tones inspired by the classic Fender Vibrolux and Fender Bassman amps. Initially offered in a higher powered combo, the new Supersonic 22 delivers a fatter tone with more bass.

One important upgrade over most old Fenders is the effects loop, deemed essential by most pro players. For a rundown of all the features, click here for a demo � while a good performance demo is here.

Offered in beautiful condition with no flaws noted and very little playing time. Includes Fender cover and 4-button footswitch with long cable as well as assorted paperwork new tubes, upgraded speaker, etc. The top has some figuring, which is certainly more interesting than a plain piece of maple. Unlike a lot of old archtops with high action, this guitar plays with ease, as the neck was quite possibly, and very professionally, reset. This guitar sounds very good for Delta blues playing and it has a full tone for an acoustic archtop.

Overall condition is very tidy and it includes some nice case stuff like original packaged Guild polishing cloth, warranty card, and key manila folder. Likewise, original case is in beautiful condition as shown. Here are a few of his builds on the Warmoth site link.

A few really nice touches on this one starting with the lovely South American lacewood top, which is a thick slab and not a veneer, chambered Khayan mahogany body, ebony fretboard with abalone dot inlays, wooden pickup bobbins and rings, ebony volume and tone knobs, Gotoh locking tuners and 4-way Super Switch.

Other features include I'm not sure what the pickups are but they sound 518 Ranger Bass Boat For Sale Quiz good in this chambered body; rich sounding and not too dark. What it really excels at is harmonics. Perhaps the most harmonically rich guitar I have in stock.

It doesn't sound like a Tele but for many of you that's not a bad thing. It also has good projection and a nice acoustic tone. Includes choice of a nice gigbag or not-nice case. Vintage Fender Jazzmaster Pickguard. Vintage Kalamazoo KG-2 Pickguard. Lindy Fralin P90 Cover. Might have a pair of these in stock. PRS J. Hiland Aluminum Truss Rod Cover.

Etched signature but not gold. Solid aluminum. I got tired of looking for missing trem arms so I ordered too many new ones. Vintage Stompbox Battery Cover for this type of pedal. Includes reflective decal and two stars, reflective decal and two more stars, one Kramer Pacer logo, and CD on building a replica.

SWR 1-button Footswitch. Electro-Harmonix Oceans 11 Reverb , pic2. If you need an outboard reverb, whether your amp isn't equipped with it or you simply need more versatility, the Oceans 11 is an excellent choice. Simple to use and it sounds great. It features 11 reverb types with up to 3 variations for many reverb types via the Mode switch.

The Tails switch allows you to choose whether or not your reverb cuts off abruptly when you bypass the pedal while a Secondary knob mode allows access to "hidden" parameters with details contained in the included manual. A cool spring reverb emulation allows you to "crash" the virtual reverb tank yeah, THAT sound by double-tapping the footswitch.

You can also connect an external footswitch to trigger infinite reverb effects. You may only want to use traditional reverb effects but should you want to get frisky with some new sounds, especially in the studio, this baby shines. Runs on a standard 9V DC power supply, i.

Although it doesn't include the wall-wart, this one is "as new" in the box with manual, warranty and sticker Electro-Harmonix Double Muff , pic2. You can use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive.

In single mode, the amount of overdrive will lessen as you decrease the volume on your guitar. You can compensate for this by increasing the volume of the Single Muff. In Double Mode, the Muff knobs will interact with each other so that you can tweak your sound for the that perfect distortion. Muff 1 sets the overall output level for the Double Muff in either mode. Muff 2 sets the output level for the first Muff in Double mode in Single mode this knob is inactive.

Features true bypass and runs on 9V or external power supply. Some of the logo rubbed off during polishing but otherwise mint condition in the box with manual and warranty.

Pics and specs of guitars, amps and accessories. Super lightweight 6 lbs 5. Beautiful Tele built from quality components. Stunning birdseye-maple Warmoth neck with factory-finished Warmoth ash body, translucent blue finish. Neck features the popular Warmoth compound radius which goes from a rounder 10" at the first fret to a flatter 16" at the top fret, which lets you form chords easily on the steeper curve of the lower frets, while the flatter upper frets are perfect for bending and leads.

It's a chunky neck, measuring. Body has never had a pickguard installed, to better show off the nice grainy ash, but we can install one upon request. They're well balanced and sound good. Hardware includes Grover Rotomatic tuners and a Fender vintage style bridge plate with 6 barrel saddles. Includes choice of an SKB case in fair condition or gigbag. Mint in the box, never installed. Standard Fender style install using 2 pins to prevent shifting rather than a set screw.

Features stagger height which makes string trees optional. There are a lot of Tom Delonge fans out there. Like the Fender Tom Delonge Strat, the Epiphone signature model has tripled in price since the models were discontinued.

Both models share one thing. Both feature just a single humbucker and a volume control. That's the entire electronics package. Built to the exact specifications of the Blink guitarist, it's an archtop semi-hollowbody design with a powerful Gibson Dirty Fingers humbucker with a mahogany center block for increased sustain and feedback resistance.

It's instantly recognizable with Delonge's paintjob with a cream-colored racing stripe down the center of the olive green satin finished body. The set up is similarly superb with very comfortable action and no dead spots. Designed as another tribute to perhaps the most iconic Strat player of all time. It as the general look of a flipped over Strat, as Jimi's looked as a lefty who played righty guitars with a reverse headstock and "backwards" tilted bridge pickup.

More than just cosmetics, you'll find different mojo in your tone by having the bass strings closer to the bridge; treble strings further away.

Likewise, while the scale length is your standard On a traditional Strat, the highest strings E, B are longest while upside down they become the shortest, so they don't have to be pulled as tight to be in tune.

The fact that they were easier to bend allowed Hendrix to give songs like "All Along the Watchtower" that Jimi sound. Features include alder body with gloss poly finish, 21 medium jumbo frets on a C-shaped maple neck, 9.

It's a pro install. I'll upload a pic tomorrow. A perfect all-in-one recording solution for Apple products and connects to guitar, bass, or any mic, but it already has a studio-quality built-in omnidirectional condenser microphone that's likely as good or better than most home studio. For details click here for the Apple Store. Electro-Harmonix Soul Food , pic2. The Soul Food was designed to yield the same transparent overdrive with the great touch and response.

Its circuitry features boosted power rails which give a lot more headroom and increased definition plus selectable true bypass or buffered bypass modes. The 2-band EQ gives you control not possible with the common Tone control. You can dial out the mud in your lead tones which isn't possible with a single tone control. It also features a Voicing switch to further fine-tune your bass response. Typical TCE quality, made to last.

It also features true bypass, easy access battery and high quality components throughout. Versatile distortion capable of loads of dirt, whether it be vintage low gain tube amp drive or modern scooped metal tones. The 3-band EQ is key here and with the gain control you can dial in a very wide variety of OD tones, as mild or nasty as you want.

The Badass Distortion gives you true bypass switching, a robust housing, and bulletproof components. Clean shape. With more and more of our customers doing some great home studio work I've been on the lookout for nice studio gear.

The JBL P MkII studio monitors provide quality near- and mid-field monitoring for any home or professional studio when accuracy is a must. With JBL's Image Control Waveguide and superb transducers you're guaranteed excellent accuracy and dimensional stereo imaging. Unlike much of the competition they have a broad sweet spot - a much larger "perfect position" to hear an accurate stereo field. With many others what sounds great from the engineer seat sounds completely different to the guy standing 5 feet over his right shoulder.

Their Boundary EQ settings compensate for low-frequency anomalies caused by the environment while the patented Slip Stream low-frequency port provides superior bass performance. Features 10dBV input-sensitivity switch as well as a volume control. They're sleek and modern looking and, more importantly, are shielded for placement near magnetically sensitive equipment. For full specs and videos go to JBL's page here. Two excellent MIJ pedals in nice shape. They share an identical case, possibly made in the same factory.

Use as a volume pedal via Input-1 and Output-1 or as an expression pedal when using Output The Boss FVL is a low impedance unit. Boss makes a FVH high impedance volume for using the unit before the input of your amp while this 50L unit is low-impedance allowing direct control of stereo keyboards and stereo effects units. The latest and greatest from Boss, gives guitarists a wide range of classic auto-wah and dynamic wah effects responsive to how hard you pick , plus a new "Humanizer" effect, which can simulate human voce-type vowel sounds.

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