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At Hap's, a bond is forged with Homer and the others as they hatch a desperate plan. An agonizing dilemma gives OA a new perspective on the group's plight. Homer resolves to find out what Hap's experiments are really about. Scott reaches his breaking point. As the group continues its search for the final movement, a startling turn of events gives Hap's work a new urgency.
An ominous new dream and a tense outing with Nancy and Abel take a toll on OA. Steve finds his life in turmoil once again. After OA recounts a dramatic final night at Hap's, the others begin to see her story in a new light. The fragments of the dream click into place. After waking up to a new life in San Francisco, OA is drawn into a search for a missing teen and begins to encounter familiar faces from her past.
While Zal Batmanglij Movies 50 private eye Karim Washington scours San Francisco for a missing teen who was involved in a cryptic game, OA wakes up in unfamiliar surroundings. At the clinic, OA discovers what happened to her friends back at Hap's. Karim turns his attention to a doctor who worked for Pierre Ruskin.
In Michigan, Steve begs the gang to try jumping Zal Batmanglij Movies Code to another dimension, and a presence in Buck's mirror inspires an unlikely pilgrimage. Karim visits Nina at the clinic for help finding the secret entrance to the house.
Meanwhile, Hap meets a fellow traveler, and Homer goes on a date. After a harrowing ordeal, OA and Karim find themselves locked inside a labyrinth of puzzles. Nagging doubts prompt Homer to snoop on Dr. As BBA and the kids head west, an alarming news report forces them to speed up their plans. Jesse wrestles with lingering trauma from the shooting.
Karim returns to the house with reinforcements, OA tries to access Nina's memories, and Hap offers to discharge Scott -- after one last experiment. While BBA and the others converge on the clinic, Nina persuades Hap to show her his research, and Karim unlocks one of the house's final Zal Batmanglij Movies Free secrets. Call Netflix Netflix. Creators: Brit Marling, Zal Batmanglij. Watch all you want. Videos The OA. The OA Trailer.
Episodes The OA. Part I Part II. Release year: Chapter 1: Homecoming 71m. Chapter 2: New Colossus 59m. Chapter 3: Champion 61m. Batmanglij: And this thing has 1, visual effects. So, getting all those visual effects right, we had great partners, amazing people that we were working with. We were very grateful. Marling: Very lucky. That is a hell of a process. Marling: Different problems at different times. When you get to the end of a five-month shoot like that, as an actor, you normally collapse.
Now we have all this footage. How are we going to re-write the narrative based on what we actually have instead of what we imagined we could get? And that really keeps me on my toes.
A lot of professions have this experience-grade. So, [laughter] there is a vulnerability there that never goes away. How did this wonderful, collaborative relationship begin? What is it about the two of you that makes you work so harmoniously together.
I mean, it would be very hard to do this by yourself. Batmanglij: Yeah. A lot of our other counterparts just write it or they just direct it. Very few do both like the Duffers do both. And then, [laughter] almost nobody adds acting to that.
I mean, this is the one-hour drama space, no one does that. Batmanglij: We met in college. We came from different walks of life. We have different minds or upbringings, but we have a few key points that are the same, which is that there is a shorelessness to our imagination.
And we share that in common. And then you undercut the pleasures of that with all the intensity and hard work of craftsmanship. The rest of our work is just craft. We set sail without a port to go to, and the port appeared. Which would be fine too. The location-scouting for Part II and the use of setting to advance the plot is impeccable. Was San Francisco always a location that you had planned to set Part II from the get-go when creating the show?
Marling: One of the things we had definitely planned from the get-go is the idea of a narrative that was interested in genre slipstreaming.
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