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To create this article, 17 people, some anonymous, worked to edit and improve it over woocen. This article has been viewed 72, times. Learn more Any reasonably handy boat owner can caulk their own boat, there is no magic involved. On a new boat, with pristine seams between the planks, it is pretty straight forward. On an guigar boat the seams may be damaged and vary in width wkoden, a little more care is needed.

However, anyone with a modicum of commonsense lod have no trouble doing a wpoden job. However, you can make a rake out of an old file by bending the tine into a hook and sharpening the inside of the hook. Then wrapping tape around the blade to make a handle. Whether you boa to level up technical and professional skills for work, increase your financial literacy, or even improve your personal relationships, we have courses for you.

Log in Social login does not work in incognito and private browsers. Please log in a old wooden boat guitar your username or email to continue. No account yet? Create an account. Edit this Article. We use cookies to make wikiHow great. By using our site, you a old wooden boat guitar to our cookie policy. Cookie Settings. Learn why people trust wikiHow. Download Article Explore this Article methods.

Things You'll Need. Tips and Warnings. Related Articles. Method 1 of Get the boat ready for caulking. If you intend to repaint your boat, strip off the paint before starting to re-caulk. Clean out all the old putty and caulking cotton with the Old Wooden Boats For Sale Cheap Monday raking iron, taking care a old wooden boat guitar to a old wooden boat guitar the wood.

Prime the seams with the oil based paint or with red-lead paint. Method 2 of Different builders have differing ideas on where to start caulking. Some like to do all the butt ends first then start on the lower seams and finish off with the rabbet and garboard seam. However, here is no a old wooden boat guitar why you should not start on a seam above the water line, if you want to get into the swing of it a old wooden boat guitar. The main thing is remembering which seams have been done and which are still to.

How many strands of eooden you use will depend on the size of the seams. This means that guifar tapping it home the iron should go in by about two thirds of the plank thickness.

Some authorities suggest laying out enough cotton to do a full seam. That is fine if you are laying it out in a perfectly w floor. The cotton is rather hairy and will pick up any and every bit of dirt or wood shaving on the floor. I found that it was better to feed it straight from the ball, but keeping the ball in a cardboard box which can be pushed along with your foot as you go.

If you have to join strands mid seam do not tie a knot, this will produce a thick, hard lump. Start off by using the paying iron to tack or loop the cotton loosely into a foot or two of the seam. Then go back and using a rocking action with the iron tap the cotton home with the mallet. By caulking all the tight seams first you could find that this has caused the wider ones to close up.

Wide seams can be caulked in two runs, thus increasing the number of strands. Some builders suggest priming the cotton before applying the putty. Method 3 of The traditional compound for stopping seams is linseed oil putty mixed with red led powder.

When mixing this woodwn compound take a tennis ball a old wooden boat guitar dollop of the putty mix enough red lead powder to give an even red color add linseed oil if needed to guittar it soft.

Then add a thumbnail sized dollop of multi-purpose grease, mix it well and push it into the ugitar with a putty knife. The grease will help keep the putty soft and flexible thus a old wooden boat guitar any hardening and cracking later. You can either smooth the putty flush with the planking or used a wooden scraper to produce a concave seam.

Method 4 of When bozt comes to a old wooden boat guitar day you might find that some of the seams have opened up. You can add some more of the paying compound but this will probably end up being squeezes out as the wood and cotton take up. Providing the gaps are not excessive its better to use a temporary method of stopping.

Taping over the cracks with masking tape will slow water intake sufficiently while the planks take up. Or fill the cracks with soap, use boqt soap rubbed into the crevices this will eventually just wash away. How quickly she takes up will depend on the wood of the planking. My first attempt at re-caulking a complete hull was on Mignonne, she has been in the water now for three years and she is still afloat and watertight.

If I can do it anyone can, guitarr a little care you can do it. Include your email address to get a message when this question is answered. Linseed oil putty is available at hardware stores. Helpful 9 Not Helpful wopden.

A old wooden boat guitar 11 Not Helpful 5. It is better to under caulk and have a few leaks than over caulk and risk straining the frames when the wood and cotton swell, 'take up'.

Helpful 14 Not Helpful Specially made rakes woden be bought with two handles which give the power to remove that old hard caulking compound blat the control the cutting edge. Helpful 5 Not Helpful 2. Red lead sooden must be obtained from a specialist wooden boat supplies store.

Helpful 5 Not Helpful 4. Helpful 4 Not A old wooden boat guitar 6. Related wikiHows How to. How to. How to Caulk a Carvel Hull - Original source of this page.

Shared with permission. Co-authors: Updated: October 8, a old wooden boat guitar Categories: Boat Service and Repair. Thanks to all authors for creating a page that has been read 72, times.

Reader Success Stories Anonymous Jul 19, While the materials they used were somewhat different, some of your warnings and biat about the "take up". More reader stories Hide reader stories. Did this article help you? Yes No. Cookies make wikiHow better. By continuing to guiar our site, you agree to our cookie policy.

About This Article Co-authors: Anonymous Jul 19, Oct 5, I have bought antique caulking tools for the a old wooden boat guitar. This ols save me from hiring labor; no waiting! Roger Henry Mar 16, Rated this article:. Fletcher May 30, Anonymous Jun 9, Share yours! More success stories Hide success stories. Related Articles How to. By signing up you are agreeing to receive emails according to our privacy policy.

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The pegbox extents in a very long flat curve to the back. The frets are pieces of hardwood glued with some black wax to the neck. The pegs, which are long and round, are on both sides of the open pegbox. There are two courses of nylon strings, which can be single, or double or only one double.

They run to a string holder which also serves as bridge. The strings are tuned F B. Playing is with a plectrum, mainly to accompany singing. Some instruments are quite crummy made like the example , but some are very delicately carved and with some bone or ivory inlay see the grajappi from Thailand.

As in most Islamic countries, the Arabian oud is also played in Malaysia and Indonesia. This oud is quite similar to the one used in the Middle East , as it came with Arab workers from Yemen town of Hadramaut , who carried on their tradition of playing the oud. This oud is here called gambus or gambus Hadramaut , or gambus Hadramawt , or gambus Johor , or gambus Arab , or - mainly in Indonesia : gitar gambus - see Indonesia.

There is also another local lute-like instrument, which is called gambus melayu see under. The oud-like gambus is often imported from the Middle East, but quite a few are locally made in Malaysia or Indonesia.

Usually they try to imitate the general shape of the imported oud , but others have a few differences. Often the wood used for the front is not pine wood, and certainly not bookmatched. Some rosettes seem to be made of paper and partly painted gold. On some gambus there is only one central rosette.

Some makers make the bridge with an extension with woodcarved decoration. And although the neck is fretless like the oud , the gambus sometimes has inlaid "frets" for orientation. The number of strings may vary, but t he tuning and technique of playing the gambus is the same as for the oud with a long plectrum ; here more to accompany arabic singing - often in "orkes gambus".

Besides the oud-like gambus see above in Malaysia especially on Sabah , and on some islands of Indonesia - like Sumatra, Kalimantan and Lombok see Indonesia - there is a another type of gambus , which looks quite different.

This gambus gambus Hijaz or gambus melayu or gambus seludang is closely related to the old qanbus of Yemen and East Africa see Africa. This traditional gambus has a narrow body, neck and head carved from a single piece of jackfruit wood. The body always has a long and large pin-like extention at the bottom part of the body.

The body and neck is hollowed out from the front and the cavity in the neck covered with a thin piece of wood. The body cavity is covered with goat skin. In some areas thin wood is used instead of skin see under.

The edge of the skin is glued, but often also nailed down and decorated with a colourful strip of fabric. The peg head is usually sickle-shaped, and turns back to the front, with some tribal decoration.

It often has friction pegs on both sides of the open tuning head. The gambus has four or five double strings of nylon and no frets. The strings run over a loose wooden bridge and are tied to the extension of the body. This gambus melayu is played with a long plectrum, and used for vocal accompaniment of Zapin music. It has a sound similar to the oud but with a more resonant, almost hollow sound.

For lots more information about all these different types of gambus instruments see : Portfolio. In Malaysia especially on Sabah and in Brunei, and on some islands of Indonesia, like Kalimantan and Lombok see Indonesia - the gambus melayu is covered with a thin wooden front instead of with skin.

This gambus is made just like the skin covered gambus from one piece of wood, with a hollowed neck and body. The wooden front is less breakable, and it Old Wooden Boat Houses Uk gives a sharper sound. Especially in Brunei the front may be painted with colourfull decorations.

There is nowadays quite a cross-over between the oud-like gambus johor and the gambus melayu , so that the gambus Melayu may also be made from staves, and have 6 double strings and a large single rosette - or three. Also the tuninghead may be bent back like an oud , or with a decorated carving. It may even have tuning machines. The gambus melayu can always be recognised from the extension at the bottom.

It is played with a long plectrum, and used for vocal accompaniment of Zapin music. It has a sound similar to the oud. For much more information about all these different types of gambus instruments see : Portfolio. The sape or sapeh or sapeq or sapek is one of the largest plucked stringed instruments in the world. It is mainly used on the island of Borneo half of which is Malaysia : Sabah and Sarawak, and half is Indonesia : Kalimantan; plus the small independent state of Brunei.

The sape is probably made by shipbuilders as the body resembles very much a ship however the hollowed out bit is on the back Maybe that is why this type of instrument is known as "boatlute".

The short neck and square pegbox is also from the same piece of wood. The front is decorated in black and red plakat paint, in traditional Borneo tribal patterns. The number of metal strings may vary from 3 to 5 and can be tuned with round wooden pegs from both sides of the peghead. Each string is the same gauge and has its own small bamboo bridge, giving each a different string length.

They run over a flat bamboo bridge and go through holes to the back of the instrument. Only the first string has flat bamboo frets in a diatonic scale. Playing the sape is quite awkward, as your hand can not really grip the "neck", but more or less have to press on the front of the body. Only the first string is fingered, the others are used as drones it feels a bit like playing upside-down dulcimer.

Only the thumb is used for strumming. The sound is not very loud. The repertoire is about 35 different tunes. The instrument seems still quite popular and some are even made electric. Also combinations like sapetar guitar and sapelele ukulele are made. This long necked strummed lute is quite rare, and found amongst the Dusunic people of Sabah the north part of the island Borneo.

The instrument looks very similar to the kudyapi boat-lutes of the Palawan from the nearby Philippines see under. The sundatang is mainly made of jackfruit wood, with two or 3 brass strings; nowadays steel guitar strings.

It is made from one large piece of wood, with the somewhat oval-shaped body hollowed out from the back and covered with a separate wooden "lid". There are just a few about 6 high wooden frets on the long neck, near the body like on the Vietnamese Dan Day. They are only under the first string, and have a small strip of brass as proper fret. The lowest fret is the zero fret, and a small piece of cotton pulls the string down on it. The second string cannot be fretted, and is always played open as a drone.

This Tambunan sundatang has a small body and a neck over a meter long. The sundatang can be played for personal entertainment or as a dance accompaniment in the Tambunan district - the Magarang and Old Wooden Boats For Sale Cheap Australia is sometimes played in pairs, as in Tuaran district. Note that in Indonesia you may also find instruments described under Malaysia - like the gitar gambus the oud , the gambus Melayu most regions have developed their own typical model and the sape on Borneo.

They used to be made mainly as woodcarving souvenirs for tourists. Nowadays they are getting popular again, but in a modern version. The traditional hasapi is made from one single piece of wood, in a slender boat-shape.

The body is hollowed from the front, with a small open slit on the back. The front is covered with a thin piece of wood on which a small raised left-over square bit of wood is the bridge. There are 2 metal strings, which can be tuned by round wooden friction pegs on both sides of the open pegbox.

The bridge is a raised square bit of wood left in the middle of the body, to which the strings are fastened. Usually the top of the pegbox, and the end of the body which raises high up are nicely decorated with woodcarvings. If the front is left plain it may be a playable instrument; if it is over-decorated with woodcarvings it is really hard to play.

A modern playable hasapi will have only simple decorations, while the neck often has an inlay of a piece of mirror as fretboard. It may have tuning pegs, or modern tuning machines. The example of a traditional instrument is painted in some dark brown colour, probably with shoe polish.

On my latest visit to Sumatra in the hasapi seemed not very popular with players, as I found only one boy able to play it, and I could not find any cassettes with pure hasapi music on it. However recently searching on YouTube and the internet, it seems nowadays young players have taken up the instrument again, but have modernised it first. The kulcapi is a small boat lute from the Karo Batak people of North Sumatra.

The front is covered with a thin piece of wood, with the square bridge left as a block when the front was thinned. The neck has a number about 7 of metal frets, inlaid in the front in a diatonic scale. Usually the top of the pegbox, and the end of the body which bends back, not up like the hasapi are decorated with stylised woodcarvings.

The entire instrument is painted black. The 2 metal strings can be tuned by round wooden friction pegs on both sides of the pegbox, but modern instruments may have tuning machines one on each side. The strings are fastened to holes in the raised bridge. Playing the kulcapi is with a plectrum often fixed with a rope , mainly to accompany singing. This is the gambus melayu or gambus seludang used in the province of Riau, on the northeast coast of Sumatra near Singapore , which has the local name : gambus selodang.

It is quite similar to the instruments of Malaysia see above , but here it always has a skin front. This traditional gambus has an often rather wide body, with the body, neck and head carved from a single piece of jackfruit wood, including the extention at the bottom. The top half of the hollowed out front is covered with a thin piece of wood often ending straight - and sometimes rounded, depending on the maker , which usually has some kind of decorative soundhole.

The lower half is covered with a goat skin, glued to the edge of the body. Often it is also nailed, with a decorative strip of fabric. It is played with a plectrum, to accompany singing - usually together with two small drums called "maruas". For much more information about all the different types of gambus instruments see : Portfolio. The dambus is a type of gambus melayu that i s used on the island of Bangka , off the northeast coast of Sumatra.

It is quite similar to the instruments of Malaysia see above , but the dambus always has a tuning head carved like the head of a deer. This traditional dambus has the body, neck and tuninghead carved from a single piece of soft wood sengon , including the extention at the bottom. The front of the hollowed out body and neck is covered with a thin piece of wood.

The soundholes are often in a decorative pattern. Some makers like decorating the front and neck with abstract paintings.

Sometimes a strip of fabric is nailed around the edge of the body. The dambus has seven nylon guitar strings in 4 courses the bass string is single. The strings run over a large loose wooden bridge, and are fixed to a round hole in the extention at the end of the body.

Tuning could be f cc gg d'd'. It is played with a plectrum, to accompany singing. As in most Islamic countries, the Arabian oud is also played in Indonesia and Malaysia see also above. This oud is quite similar to the oud used in the Middle East , as it came with Arab workers from Yemen town of Hadramaut , who carried on their tradition of playing the oud.

In Indonesia this oud is often called : gitar gambus and mainly used on Sumatra and Java. Often this is an oud imported from the Middle East, or locally made in the style of the Middle Eastern ouds. Although the general shape of those is similar to the imported oud maybe a bit wider , there are often a few differences.

Usually the wood used for the front is not pine wood, and certainly not bookmatched. The rosettes are often less complicated. See the gambus johor under Malaysia. Another style gambus which is also made locally is more like a mandolin : with a raised fretboard, a loose bridge, a metal stringholder, and 3 quite simple soundholes. Although the neck is always fretless like the oud , sometimes the gitar gambus has painted or inlay "frets". The tuninghead usually bends back like on the arabic ouds , but sometimes it is more straight guitar-like.

Also the friction pegs may be replaced by machine tuners. The tuning and technique of playing the gitar gambus is the same as for the oud with a long plectrum , but here more to accompany arabic singing - often in "orkes gambus". The island of Borneo is devided between Malaysia Sabah and Sarawak and Indonesia Kalimantan ; plus the small independent state of Brunei.

In Kalimantan you can find the large sape see Malaysia , but there is also a smaller plucked instrument in use : the kecapi dayak or kecapi Borneo or kecapi Kalimantan or kecapi Kalteng , which resembles a sape but has a long fretless neck. The fretless neck is straight and long, with the top half with the tuning head usually joined halfway with a V-join to the body.

The head often has a carved decoration of a hornbill bird, or some tribal carving. Usually there are 3 strings, which can be tuned with friction pegs - or nowadays with tuning machines. The 3 nylon strings all of the same thickness run over a loose wooden bridge, and are fixed to small holes in the end of the body. Many kecapi dayak are painted in bright colours, others are just varnished and have light hammered patterns on the front, with tribal decorations similar to the sape.

The kecapi dayak is played with a plectrum, mainly to accompany singing. Note that some sape can be smaller than some large kecapi - the main difference is the long neck and the lack of frets on the kecapi! Another plucked instrument found in Kalimantan Borneo Island is the gambus panting - also a type of gambus melayu.

It is quite similar to the instruments of Malaysia see above. The shape is not very fixed, as there are bodies with a wooden front and others with a skin front. Also the head with the tuning pegs may have different shapes, sometimes with elaborate wood carvings, and even facing sideways. The traditional gambus panting has the body, neck and tuninghead carved from a single piece of wood, including the extention at the bottom.

The front of the hollowed out body and neck is covered with a thin piece of wood or sometimes skin for the lower part. The soundholes in the wooden front are often in a decorative pattern. The neck is fretless. The peg head slants to the back, with the end curling to the front like the gambus selodang. It has 8 friction pegs 4 on each side on the sides of the open tuning head.

Some makers put the pegs on a row on the right side 4 from the back, 4 from the front , with fancy woodcarvings. The gambus panting has 8 nylon guitar strings in 4 courses. The strings run over a loose wooden bridge, and are fixed to holes in the extention at the end of the body.

Tuning could be ff cc gg d'd'. The gambus panting is played with a plectrum, and used in a small orchestra also called "panting" to accompany singing : "musik panting" and in Panting Banjar music. This is a special gambus from the island Lombok used for "cilokaq" music from the area of Sakra. Also called gambo. This large gambus is entirely carved from one piece of wood, with a small soundhole on the back of the body. The front of the cavity of the body is covered with a thick wooden panel more than 1cm , with a sound hole in it often not round.

The front of body and neck is often painted with a mixture of colours. The back is usually painted in one colour. The strings run over a large loose wooden bridge to 4 holes in the extension at the bottom of the body, and tied to a small stick.

This gambus is usually played with a plectrum, to accompany singing in a "cilokaq" ensemble. For more information about gambus lutes from Lombok, see : Portfolio This is a special boat lute from the island Sulawesi formerly : Celebes.

It is called kecapi [pronounced "kechapi"] makassar , but also : kecapi bugis, kacaping or katapi. A quite similar, but wider instrument is found on Sumba, called jungga see under. The kecapi makassar is traditionally made from one piece of wood, with a cavity on the back.

This is covered with a separate wooden panel, with several round sound holes in it. Modern kecapi may be made from separate pieces of wood, glued together. The peghead has usually a highly decorated panel, also carved from the same piece of wood. Nowadays on modern kecapi these panels are made from separate wood, and often left plain.

The kecapi has two metal strings, tuned by small friction pegs. The strings are pressed down on a row of 5 or 6 high finger posts, carved integrally from the neck and soundboard.

The bridge is a similar high post. Modern ones have a small piece of brass on each post as a "fret". It is strummed with a long thin plectrum, for solo music or to accompany songs. This is the two-stringed jungga from the island of Sumba. It looks quite similar to the kacapi from Sulawesi, only not so narrow.

On Timor a similar instrument is used, called ketadu mara. Note that on Sumba there is also another guitar-like jungga with 4 strings - see under : bijol. Just like the kacapi from Sulawesi, it has 5 or 6 high square finger posts that serve as frets. The bridge is a high pole on the front, left during carving. On the island Flores they use a small instrument called a benyol , or benyol maumere. The benyol looks like a large ukulele a bit like a cak or cuk - see under , but seems less professionally made.

The body can be in the shape of a ukulele , but often it is made round. Both types have a round open soundhole. The neck is fretless, and flush with the front. It has a flat tuning head, usually with guitar machine tuners.

The 4 nylon strings run over a loose bridge to some pins at the end of the body. The tuning is not clear. It is usually used with some other benyols in an "orkes kampoeng" "village orchestra", which includes also a one-string laying string bass "teren bass" and percussion , to play "musikkampung".

This music is often wellknown western popmusic in a special setting. On Timor island they use a four-stringed, locally made guitar. The general name is bijol , but it has also several different local names, like bijola, benyol, leku, leko boko, letes, pisu, kasi, raraun , sbo biol makosu, etc.

The bijol is completely carved from one piece of hard wood, with only the body hollowed out. The body can be oval shaped, round or in the shape of a small guitar. Note that the body lacks the extention at the bottom of the body that is the hallmark of the gambus-type instruments. The front is covered glued and nailed with a thin piece of similar hard wood.

Often the bridge is part of that piece of wood - so not glued on it. Usually it has a small round soundhole on the front, with sometimes some additional small holes in the front and the sides.

The neck is usually fretless. The tuning head is flat, with four friction pegs from the back. In my last blog, I forgot to mention a key difference between the lapstrake skiffs built in Muskoka and the rowboats from Peterborough and Lakefield.

Peterborough and area rowboats are smooth skin. The planking is made of narrow strips that run the length of the boat and do not overlap, like Muskoka skiffs. Another [�]. In my last blog, I discussed the skiff or row boat. All the historic boat builders of Muskoka made their version of this classic boat design. Built using a design method that is as old as boating, the Muskoka skiff is built from cedar and oak.

Mahogany may have been used on some boats [�]. Please be respectful of photo rights. Some of these photos are original from Port Carling Boats. Some are not and we were given permission to use.

If you want to use one, please contact us. Port Carling Boats. Search Listings Web Site. Order Number. Welcome to the Port Carling Boats site We hope the site will satisfy your love of wooden boats, cottaging and the holiday lifestyle. Your source for Cottage life in Muskoka Ontario and Antique and Classic Wooden Boats For information on our new boat listings, be sure to subscribe to our website [�] Read More Adventures in a Hudson About 30 years ago, I decided to take the plunge and get a real racing shell.

There is a long tradition of rowing from my high [�] Read More Rowing For Speed Rowing has always been considered good exercise because it offers great all-round cardio and it is easy on the joints.

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